I think the biggest challenge for Somalia has been the sense that it is a hopeless case of incomprehensible internal conflicts and there is nothing we can do.
We all know about the big world conflicts: Israel and Palestine, Zimbabwe, and so on. But there are smaller conflicts that aren't even on the world's radar screen; most of the world has no idea that Ethiopia invaded Somalia a year ago. It makes sense for the Elders to sit down with both sides and see whether leaders can come to an understanding.
Since World War II, most of the conflicts in the world have been internal conflicts. The weapon of choice in those wars has all too often been landmines - to such a degree that what we find today are tens of millions of landmines contaminating approximately 70 countries around the world.
There is an expression now that is commonly used about these so-called internal conflicts which are not really internal, because they have connections to the outside world.
Climate change is the biggest governing challenge we face. It's the biggest governing challenge I think we've ever faced.
Painting is the making of an analogy for something non-visual and incomprehensible - giving it form and bringing it within reach. And that is why good paintings are incomprehensible. Creating the incomprehensible has absolutely nothing to do with turning out any old bunkum, because bunkum is always comprehensible.
I'm a hopeless mother; a hopeless wife; I have to try harder. I'm just a pathetic case history, really.
The biggest challenge is the chaos of parenthood, which has honestly been such a welcome challenge - bring it on, I say!
The biggest learning during my tenure as a captain was that, a lot of time, I used to think that this is common sense. But no, there is nothing called common sense.
When the US withdrew their troops from Somalia, I recall making a comment that [in] the way the peacekeepers had been withdrawn from Somalia, the impression had been given that the easiest way to unravel a peacekeeping operation is to kill a few soldiers.
The biggest challenge is not coming up with the stunt, the biggest challenge is designing a sequence around it that sort of justifies its existence.
I think the biggest challenge and the biggest uncertainty for everyone is the economy.
I think the epicentre of terrorism whether you call it cesspit or whatever you want to call it, shift, if you asked me a while ago, I would have said Somalia, Somalia has quietened a bit - and I think the epicentre right now is in Northern Nigeria.
I work very physically as an actor. The biggest thing for me has been the challenge of how to be this person [Olivia Pope] with the personal transformation that's going on for me physically... That hasn't been easy. It's been an awesome challenge for me...because so much of how I access character is through my body.
All good dramas are rife with conflicts, and the conflicts have to be resolved. What I think is so great about a show that takes place in a hospital is that you have so many different people with different needs. Sometimes all those can be in conflict. The drama of Heartland also comes from the group of people waiting, and they are sometimes agonizingly waiting for a new organ for their body in order to survive. So the show is so much about survival, which creates a sense of urgency to get the organs. I think that sense of urgency is probably the most prominent dramatic quality to the show.
I always seek the biggest challenge and MMA is the biggest challenge.
Last hopeless chances have got to work. Nothing makes sense otherwise. You might as well not be alive.