A Quote by Jan Garbarek

If you feel you have the right key, you try to make some phrase or sound that will fit. — © Jan Garbarek
If you feel you have the right key, you try to make some phrase or sound that will fit.
I try not to force my sound on everybody. I try to yield unto each artist and... I try to just support that sound rather than force a sound that might not fit.
We needed to make a sound that's not gonna fit in with everything else - we wanted to make something that was completely unique and individual to us. We spent a lot of time trying to make a sound that was a One Direction sound. At first it was quite hard to do that, but I'm really happy with the sound.
When you're singing we all phrase each other in the most remarkable ways. I might hit some sort of thing I've never done before - some vocal pattern. Bonzo will pick it up - he'll phrase with me instantly and then Pagey may join in or start some other phrase - it's like a quadrant.
There's a lot of guys in the NBA; it's about finding the right fit, a coach that has some trust in you that will play you night in and night out, consistently. Trying to find a right fit is the tough part.
I feel like when I try to fit in, it comes across as not genuine, and that is not good. I'd rather just do me and have people say, 'Oh. That's interesting,' than try to fit in.
I always went in with a very specific idea of the sound I wanted, and once I'd recorded I'd try and make it sell as much as I could, but I only went in thinking of a sound I wanted. So, it's no surprise to me that he got the hit and I didn't. But what I realized was that he did dress it up nicely, and my god, he does sing on key well.
When you're in the right system, right fit and you got the right structure, it's easy to see certain players blossom. That was a key for me.
I feel like, O.K., if I can make it as a singer, then let me try rapping. If I can make it as a rapper, then let me try writing. All right? If I make it as a rap singer and writer, then why not try to produce? I don't feel limited in any way.
Fashion is very much emotional. When you see it, or when you wear the right clothing, or you wear whatever, it's supposed to make you feel something. You're supposed to feel some type of emotion, and I feel like I try to do that when I'm on a red carpet.
Exercising will make you look better, feel stronger, and fill you with boundless energy. Staying fit will even make you happier.
If you try to sound like somebody else, it will never work because we already have that person. You are noticed when you try to be an original sound.
There are so many causes that you care about, but one can't change or take on the world, so one has to really focus on where you feel you can - to use a very overworked phrase - truly try to do something to make a difference.
Now, what happens whenever there's a loud sound is that it startles us, right? And we arrest what we're doing, and we try to localize that sound because that sound could be a threat. That's something that's hard-wired in our bodies.
Being smart in the arts is the same as being smart in engineering is the same as being smart in writing is the same as being smart in anything, really. It's the ability to manipulate all the pieces of the puzzle in your mind, try to fit them together, and when they don't fit quite right... you sand the edges/corners and make them all fit.
I try to make the voice in my head come out onto the page. I try to make it much more conversational than other writing. I speak everything, so if something sounds right I write it. It's more about sound and the rhythm of speech than written language.
I didn't understand key signatures or anything, you know. I'd say silly things at the top of a trumpet part like, 'Note, when you play B naturals, make the B naturals a half step lower because they sound funny if they're B naturals.' And some guy said: 'Idiot, just put a flat on the third line and it's a key signature, you know?'
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