A Quote by Jan Marsh

Women are important in the Pre-Raphaelite movement. But while their faces are seen everywhere- in oil paintings, watercolours, drawings, - their voices are never heard.
The women's movement appeared at a very crucial moment in my life. There was a whole political movement asking such questions and others I had never asked. I began to feel heard in that movement. But it was because my voice was resonating with other voices.
A critic in my house sees some paintings. Greatly perturbed, he asks for my drawings. My drawings? Never! They are my letters, my secrets.
I think I've identified as an artist since I was a baby - literally a baby. I made a book of drawings and paintings in pre-school. By the time I got to high school, I was completely enamored with art, doing paintings and portraits at lunchtime. I've been creating in some capacity forever.
More education for women. More jobs for women. More equal opportunities for women. More women to be taken seriously. And I think more than anything we wish to be heard and not to be shut down. I think this is a good thing to think about for any community; what is important is that our voices be heard and not swallowed in an abyss of history.
I'm a big fan of the Pre-Raphaelites. Millais, Edward Burne-Jones, and I realised recently that my music is Pre-Raphaelite in a certain way, in that it reinvents an older era and romanticises it, puts it in this gilded frame.
If you don't recognize the racist element in the teabag movement, you're either dishonest, or you've never seen the teabag movement, or heard of it, or been acquainted with it in any way.
The Conversation about women’s bodies exists largely outside of us, while it is also directed at and marketed to us, and used to define and control us. The Conversation about women happens everywhere, publicly and privately. We are described and detailed, our faces and bodies analyzed and picked apart, our worth ascertained and ascribed based on the reduction of personhood to simple physical objectification. Our voices, our personhood, our potential, and our accomplishments are regularly minimized and muted.
It doesn't matter how many women we get into game production. If the only people evaluating the work we do continue to be men, women's voices will never be heard.
I'm just really impressed by oil paintings - I don't see how people do it! That's the style I like: classic oil paintings. Abstract art just isn't my thing.
The term 'Pre-Raphaelite' is in danger of becoming one of the most misused tags in art history
There could be a powerful international women's rights movement if only philanthropists would donate as much to real women as to paintings and sculptures of women.
Drawings are only a few lines on paper. Therefore it's easy to carry around in plastic bags. Drawings are cheaper than paintings. They don't pretend they'll last forever.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
The issues facing working women and their families are closest to my heart. I decided to focus intently on the challenges military wives face because they juggle the same pressures as their nonmilitary peers, all while coping as single parents while their loved ones are overseas. I wanted to help make their voices heard.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
Even the pallid daughters of Albion forget for a moment their Pre-Raphaelite poses by burying themselves in the sonorous sortilege of the Antilles.
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