A Quote by Jan Morris

I had reached the conclusion myself that sex was not a division but a continuum, that almost nobody was altogether of one sex or another, and that the infinite subtlety of the shading from one extreme to the other was one of the most beautiful of nature's phenomena.
If you had a daily printout from the brain of an average twenty-four-year-old male, it would probably go like this: sex, need coffee, sex, traffic, sex, sex, what an asshole, sex, ham sandwich, sex, sex, etc
Yet, if the most frequent sex and apparently the best sex is that between married partners who are faithful to one another, is there not a hint that affection might be an important aspect of sex? Even love?
In your thirties, you're much more comfortable with sex. First of all, sex is something you've done more. You know you can have sex just to have sex; you can have sex with friends; you can have sex with people you love; you can have sex with people you don't like, but the sex is good. And you can joke about sex much more.
When you make sex to a person, woman or man, you think it unites you. For a moment it gives you the illusion of unity, and then a vast division suddenly comes in. That's why after every sex act, a frustration, a depression sets in. One feels that one is so far away from the beloved. Sex divides, and when love goes deeper and deeper and unites more and more, there is no need for sex. Your inner energies can meet without sex, and you live in such a unity.
I think I'm doing a service to black women by portraying myself as a sex machine. I mean, what's wrong with being a sex machine, darling? Sex is large, sex is life, sex is as large as life, so it appeals to anyone that's living, or rather it should.
I had to lie so much about sex, first when I was 15, because I wasn't supposed to be having it. And then when I got older, I lied to everybody I was having sex with, so I could have sex with other people.
It's not an anti-sex trip. Like, we're taking sex, which is probably another half of American entertainment, sex and violence, and we're projecting it, and we're saying this is the way everything is right now.
You know, if a relationship has gone on for five or six years, that couple is not having as much sex as they were at the beginning of the relationship. In a lot of marriages, the sex stops altogether. So that's a very common thing, even if they still like each other.
The division yin and yang pervades all culture, history, economics, nature itself; modern Western versions of sex discrimination are only the most recent layer.
I think we are afraid of each other when it comes to sex, because we read so much about sex, we talk so openly about sex, we see movies and we read books; but when we are face to face with someone else, we forget our individual patterns; that we are unique. So we try to repeat other people's patterns, according to what we seen and what we heard. So most of us are very frustrated, because we don't accept our individuality as far as sex is concerned.
I happen to love a good run almost as much as sex. Like sex, there are often times I don't think I'm interested until I'm into it. Unlike sex, I do have to get out of bed and into the elements. I hate leaving bed.
Sex is hard to write about because you lose the universal and succumb to the particular. We all have our different favorites. Good sex is impossible to write about. Lawrence and Updike have given it their all, and the result is still uneasy and unsure. It may be that good sex is something fiction just can't do - like dreams. Most of the sex in my novels is absolutely disastrous. Sex can be funny, but not very sexy.
I consider that sex is part of life as much as architecture, fashion, art or food. Sex is life, simple. And I refuse to consider that sex should be hidden. When you hide sex, problems start because sex becomes dangerous.
The best unpaid sex, where you and the woman are really into each other, and there's a lot of really intense passion, and things are really hot between you...I've never had that kind of sex when I was paying for it. The best unpaid sex is going to be, I think, more passionate and more hot than the best paid sex.
[Polo Is My Life] is what's called a sex book - you know, sex, drugs and rock and roll. It's about the manager of a sex theater who's forced to leave and flee to the mountains. He falls in love and gets in even more trouble than he was in the sex theater in San Francisco. Most of my stories are tales of anguish, stress and grief.
It is oppression that creates sex and not the contrary. The contrary would be to say that sex creates oppression, or to say that the cause (origin) of oppression is to be found in sex itself, in a natural division of the sexes preexisting (or outside of) society.
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