A Quote by Jan Morris

I resist the idea that travel writing has got to be factual. — © Jan Morris
I resist the idea that travel writing has got to be factual.
Unlike many travel books I didn't set out to travel with the idea of writing a book in mind.
Why are we so addicted to factual knowledge? Why are we so uncomfortable with the unknown? Is it something about the anxiety of our time? Because of course that wasn't always the way. Even now the whole idea of the rational individual has been subject to question and yet we still cling to this idea of factual, rational knowledge being more valuable than whatever its opposite might be.
I've always liked the idea that writing is a form of travel. And I started my writing career as a mystery novelist for adults.
He didn’t really like travel, of course. He liked the idea of travel, and the memory of travel, but not travel itself.
Whatever you resist you become. If you resist anger, you are always angry. If you resist sadness, you are always sad. If you resist suffering, you are always suffering. If you resist confusion,you are always confused. We think that we resist certain states because they are there, but actually they are there because we resist them.
The truth is I'm not really interested in travel writing as it's generally conceived, and even less so in female travel writing.
American travel writing is very healthy. I'm always flicking through the reviews and I see plenty of travel writing - and an impressive line up and continual demand.
My writing is a combination of three elements. The first is travel: not travel like a tourist, but travel as exploration. The second is reading literature on the subject. The third is reflection.
Prague is not, strictly speaking, travel writing but it is, among other things, an excellent example of what travel writing is becoming, if indeed it hasn't already done so. . . . People are no longer so easily satisfied by the mere travel impressions of some outsider much like themselves. Instead they gravitate towards writers who actually have lived not simply in, but inside, a location for an extended period, as one lives inside one's clothes.
When I began to be published, people got the idea that I should 'teach writing,' which I have no idea how to do and don't really believe in.
Love is easy, and I love writing. You can't resist love. You get an idea, someone says something, and you're in love.
I travel with a lot of clothes, which is a really bad idea because it's such a nightmare to travel. I always overpack because I like to bring things with me, and I accumulate stuff, so it piles up. I travel with everything I own.
Scarlatti [Kirkpatrick] started writing sonatas when he was 66 and the idea that he ran off 500 or so after he was 66 was just too much for me to resist. It's just great.
My three favorite travel writers of all time are Robert Louis Stevenson, Graham Greene, and Chuck Thompson. Smile When You're Lying not only tells the truth about the travel-writing racket, it gets to the heart of some of the travel industry's best-kept secrets.
When I'm writing, I'm writing for a particular actor. When a lot of writers are writing, they're writing an idea. So they're not really writing in a specific voice.
At one point, I wanted to be a wildlife photographer. I also love to travel, so maybe I'd do travel writing.
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