A Quote by Jan Perry

Remember the last show you saw that got a standing ovation? Now try to think of one that had the audience on its feet at intermission. They stepped, strutted, stomped, romped, ran rung, hung, flung, flew, threw and played their way through 16 numbers (17 if you count the percussion encore in the lobby that stopped the departing crowd in its collective tracks). It was Blast! and it was fantastic. That said, the show is a cacophony of color and creativity a musical montage offering nearly two hours of stimuli.

Jan Perry

Quote Topics

Audience Blast Cacophony Collective Color Count Creativity Crowd Departing Encore Fantastic Feet Flew Got Had Hours Hung Intermission Last Lobby Musical Nearly Now Numbers Offering Ovation Percussion Played Ran Remember Rung Said Saw Show Standing Stepped Stopped Think Threw Through Tracks Try Two Way

Quote Author

Jan Perry
American - Politician
Born: 1954

There was a match in Alaska that I had with Beth Phoenix at a house show where we had a standing ovation from Ric Flair, Triple H, John Cena, and Arn Anderson. I got to work with her so much that we knew each other's body language. Got a standing ovation from the entire locker room. It was amazing.

Mickie James

Benjamin Netanyahu, understands that the standing ovation he got in Congress this year was not for his politics. That ovation was bought and paid for by the Israel lobby.

Thomas Friedman

What matters is the quality of your show. In my opinion, numbers will fluctuate but you need to be honest with what you are offering to your audience. There are shows that have super high numbers but then you can't even sit through those.

Mukul Dev

When I was about 16 or 17, I had a teacher who took a group of us to the National Theater in Washington, D.C., and I saw Ian McKellen do his one-man show - I think it was called Acting Shakespeare - and it completely bombed me; it put the zap on my brain in a big way.

Edward Norton

I'll be geeky right now too, because I love Sondheim. Anything he does I had a blast, because every time I do a show of his, I learn something about myself because he's philosophical. During that show, the cast was incredible Hugh and Dan Levine (who I played opposite of), all of us clicked and I love the show.

Kendra Kassebaum

I've been doing this 17 years but I can tell you I have more websites now than I have ever had devoted to me or my past career or my character. When I got this show, I think I had two fans out there that had created websites on my behalf.

Robert Patrick

Through an arrow loop in the wall she saw a familiar horse and rider tearing across the camp toward the healing rooms. Brigan pulled up at Nash's feet and dropped from the saddle. The two brothers threw their arms around each other and embraced hard. Shortly thereafter he stepped into the healing rooms and leaned in the doorway, looking across at her quietly. Brocker's son with the gentle gray eyes. She abandoned all pretense of decorum and ran at him.

Kristin Cashore

I was 17, and a friend said, 'Man, you've got to listen to this song,' and he played 'Man to Man.' From there on, I was hooked on country. Garth Brooks, Alan Jackson, Clint Black. Every show that came through America West Arena, I was there.

Dierks Bentley

Producing a one-hour show that has to reinvent musical numbers, and interpret those musical numbers with a large cast, is difficult.

Kevin Reilly

My music represents walking on train tracks in the middle of the woods, somewhere in the middle of nowhere. You walk down the tracks and you're walking every two tracks, and you've got your headphones on, and on both sides you've got forest, and in your rear is this long line of train tracks that's weaving through the woods. It's a very cool place, to walk along the train tracks because of the rhythm of walking every few feet through the woods. It's a good place to go dream.

Patrick Watson

Many a standing ovation has been caused by someone jumping to his feet in an effort to beat the rest of the audience to the parking lot.

Earl Wilson

I have this problem where I get incredibly, miserably nervous every single show. This is part of why touring is so exhausting for me. I have not gotten to a place where it's like, "All right, here's another." It just doesn't feel workaday, at all, yet. It's kind of killing me, being so nervous so many hours of the day. After the show - we try to end on an anthemic note, and I try and let that be decisive, and I will often come back out for an encore a cappella, and that's where I try and take leave from the feelings of the stage. Trying, after I do that, to return to my life.

How to Dress Well

You know what, I'd done an interview show when I was like 16 or 17. One of my first jobs. I did interviews for this television show in Toronto.

Keanu Reeves

'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.

Josh Young

My daughter Lily's the oldest, and by the time she was six months, we just had books of photos. Poor little Maeve, who's six months old now My mom hasn't met her yet, and last night she said, 'Show me some pictures!' I'm looking through my phone like, 'Well, I got a couple, but they're from two months ago'

Chris O'Donnell

A few years later, when I was still going to these meetings, I was also "second-acting" every Broadway show [walking in with the crowd after intermission]. I snuck in to see Grease with John Travolta in kind of a secondary part and Adrienne Barbeau playing Rizzo, into Pippin, hung out with Ben Vereen and Bob Fosse. It was an amazing time for a teenager.

David Copperfield

A Quote by Jan Perry

Quote Topics

Quote Author

Related Quotes

Related Authors