A Quote by Jan Smuts

History writes the word 'Reconciliation' over all her quarrels. — © Jan Smuts
History writes the word 'Reconciliation' over all her quarrels.
A compelling and important story of First Word War Scotland, a time when women redefined the word hope as the world was losing its innocence. Andrea MacPherson writes beautifully, balancing the lives of her characters between history and the poetry of gesture, secrets and love.
I must say a few words about memory. It is full of holes. If you were to lay it out upon a table, it would resemble a scrap of lace. I am a lover of history . . . [but] history has one flaw. It is a subjective art, no less so than poetry or music. . . . The historian writes a truth. The memoirist writes a truth. The novelist writes a truth. And so on. My mother, we both know, wrote a truth in The 19th Wife– a truth that corresponded to her memory and desires. It is not the truth, certainly not. But a truth, yes . . . Her book is a fact. It remains so, even if it is snowflaked with holes.
Be ready for reconciliation after quarrels.
When I'm speaking of love, when I'm speaking of reversing hate, I'm speaking not only of reconciliation - even I don't use that word - I use another word in Spanish, that's called 'reencuentro' - it's not reconciliation.
History teaches me that the dollar rules and whoever writes history writes it however they want.
Angela Merkel embodies Germany's 20th century fate. It is not up to me to pass judgment on her place in history, but I believe that she is the chancellor of Germany's reconciliation with Europe. She stands for a Germany for whom globalization has been a success and which accepts its role in foreign and defense policy. I thought the way she dealt with the refugees was courageous. I think she is the chancellor of reconciliation.
We may live without her, and worship without her, but we cannot remember without her. How cold is all history, how lifeless all imagery, compared to that which the living nation writes, and the uncorrupted marble bears!
Is he Catholic?" her grandmother asked on the way out. He's a drug dealer -- so if he is religious, he's got incredible powers of reconciliation. "He looks like a good boy," her vovo said over her shoulder. "A good Catholic boy." And that was that -- for now.
The United States is the world's best hope, but if you fetter her in the interests and quarrels of other nations, if you tangle her in the intrigues of Europe, you will destroy her power for good and endanger her very existence.
ONCE remove the old arena of theological quarrels, and you will throw open the whole world to the most horrible, the most hopeless, the most endless, the most truly interminable quarrels; the untheological quarrels.
I watch Raffy as she removes the pickles from her hamburger and hands them over to Santangelo without them exchanging a word and I realize again there is more to that relationship than spelling bees and being enemies. These people have history and I crave history. I crave someone knowing me so well that they can tell what I'm thinking.
I scan the room. Catherine is writing quickly, her light brown hair falling over her face. She is left-handed, and because she writes in pencil her left arm is silver from wrist to elbow.
I believe there's no such thing as history; there's only historians, and in English, we've got this word 'his'tory, but what about her story? So that, in the end, the history of the world would be a history of every single one of its members, but of course, you could never get to grips with that.
I mean, her father was an alcoholic, and her mother was the suffering wife of a man who she could never predict what he would do, where he would be, who he would be. And it's sort of interesting because Eleanor Roosevelt never writes about her mother's agony. She only writes about her father's agony. But her whole life is dedicated to making it better for people in the kind of need and pain and anguish that her mother was in.
She said 'Over my dead body!' so I took her at her word.
I thought as I rode in the cold pleasant light of Sunday morning how silent & passive nature offers, every morn, her wealth to man; she is immensely rich, he is welcome to her entire goods, which he speaks no word, only leaves over doors ajar, hall, store room, & cellar. He may do as he will: if he takes her hint & uses her goods, she speaks no word; if he blunders & starves, she says nothing.
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