A Quote by Jan Vogler
There's no place that communicates as much - and as quickly - as Times Square does. I see the roiling energy and its forceful race into the future. Of course, after 15 minutes, I want to get as far away from there as possible.
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I was lucky enough to get to perform on stage in front of 20 million people on TV, and 150 thousand in concerts. For 15 minutes I got to be a rock star, the 15 minutes is great! It turns into Spinal Tap after 20 minutes.
If I lose the ball, I want to get on it as quickly as possible and make up for it, whereas before, I would hide away and maybe only look for the ball 10 minutes later. I don't want to give the defenders any break.
I have great memories of the old Times Square - wouldn't have missed being here to see that place for the world - but I can also deal with the new Times Square in the overall scheme of N.Y. City 2010.
I've always wanted to get as far as possible from the place where I was born. Far both geographically and spiritually. To leave it behind ... I feel that life is very short and the world is there to see and one should know as much about it as possible. One belongs to the whole world, not just one part of it.
My writing goal is just this desperation to get as much done as possible. It's never a comfortable, relaxed thing. Especially because I know so much of the story that I want to tell and I feel so far away from the end. Actually feels a hundred years away, and every hour I'm not working is another hour away from finishing.
I don't actually have to think very hard when I'm writing. I mean, there are times where it's a task, and you have to plug away and plug away. But then there are times when a song writes itself in 15 minutes, and you're just struggling to keep up with it.
I lost my legs in a big crash and, of course, after that, there were times, not so much of darkness, but certainly times where it was very uncertain of what my future would hold.
A quarter-horse jockey learns to think of a twenty-second race as if it were occurring across twenty minutes--in distinct parts, spaced in his consciousness. Each nuance of the ride comes to him as he builds his race. If you can do the opposite with deep time, living in it and thinking in it until the large numbers settle into place, you can sense how swiftly the initial earth packed itself together, how swiftly continents have assembled and come apart, how far and rapidly continents travel, how quickly mountains rise and how quickly they disintegrate and disappear.
In the future we will all be famous for 15 minutes. It will be on a daytime magazine programme and we will each wear a tasteful shirt and slacks combination. We'll be interviewed by a soothing voice under a clock that's permanently set to 4pm. We will talk about the weather. We will record for months to get 15 minutes they can use in the edit.
Andy Warhol said that in the future everyone will be famous for 15 minutes. Facebook is exactly like that except you're not really famous and your 15 minutes goes on forever.
In the future we'll all have 15 minutes of fame and 15 minutes of healthcare.
If I hold up a red square for 30 seconds and take it away, you will see a perfect green square. It's how the eye works. So if you want to paint a really good red painting, you have to strategically place in some green, so the eye is brought back.
You can determine what your future holds based on how much time and energy you spend working on yourself now. Find out what it is you want, and go after it as if your life depends on it. Why? Because it does.
Do people ever ask me to say 'Wow?' Never in interviews, but a few times on the street. I don't do it. I try to get away from them as quickly as possible and explain that I'm not a performing seal.
I exist here, now. I'm not much interested in the future. Or, more precisely put, I do not believe in the future. To exaggerate a little, I have no faith that I will still exist tomorrow or the day after. What is more, I absolutely detest retrospection. That dislike is balances only by my desire to make my way back home as quickly as possible.
After every happiness comes misery; they may be far apart or near. The more advanced the soul, the more quickly does one follow the other. What we want is neither happiness nor misery. Both make us forget our true nature; both are chains-one iron, one gold; behind both is the Atman, who knows neither happiness nor misery. These are states, and states must ever change; but the nature of the Atman is bliss, peace, unchanging. We have not to get it, we have it; only wash away the dross and see it.
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