A Quote by Jana Oliver

Can you dance?" she asked before she could stop herself. "I can," he said, affronted. "I'm really good with the slow songs. — © Jana Oliver
Can you dance?" she asked before she could stop herself. "I can," he said, affronted. "I'm really good with the slow songs.
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
Rosa Parks was an unlikely person, but she became an instrument of the people's will in that community who were tired. They said she was tired from working and perhaps she was - but she herself said later that she was spiritually tired and weary of being humiliated by being asked to move back so that a white person could occupy her seat.
although she went home that night feeling happier than she had ever been in her short life, she did not confuse the golf course party with a good party, and she did not tell herself she had a pleasant time. it had been, she felt, a dumb event preceded by excellent invitations. what frankie did that was unusual was to imagine herself in control. the drinks, the clothes, the instructions, the food (there had been none), the location, everything. she asked herself: if i were in charge, how could i have done it better?
Is it good or bad?" she asked Issa. The wrong question, she knew. She just couldn't help herself. "It's both, sweet girl," said Issa. "like everything.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
Lady Gaga? She's cool! She works really hard. When we would have our dance rehearsals, she wasn't the singer that was like, 'Oh, I'll just stand in front'. She wanted to learn everything - she was doing the dance moves. She's a good dancer.
Lady Gaga? She's cool! She works really hard. When we would have our dance rehearsals, she wasn't the singer that was like, 'Oh, I'll just stand in front.' She wanted to learn everything - she was doing the dance moves. She's a good dancer.
I say, 'Yeah, Taylor Swift.' I think she is a smart, beautiful girl. I think she's making all the right moves. She's got a good head on her shoulders. She's surrounded with wonderful people. Her songs are great. She keeps herself anchored. She knows who she is, and she's living and standing by that.
He was right – she was beating herself up about hurting his feelings. The girl was a classic martyr. She’d totally been born in the wrong century. She should have lived back when she could have gotten herself fed to some lions for a good cause.
I'm not saying she was lying to me, but she just acted so different before I got to know her, and if she really isn't like what she was at the beginning, I wish she could have just said so.
He found Luciana sitting alone at a table in the Allied officers' night club, where the drunken Anzac major who had brought her there had been stupid enough to desert her for the ribald company of some singing comrades at the bar. "All right, I'll dance with you," she said, before Yossarian could even speak. "But I won't let you sleep with me." "Who asked you?" Yossarian asked her. "You don't want to sleep with me?" she exclaimed with surprise. "I don't want to dance with you.
The Olinka girls do not believe girls should be educated. When I asked a mother why she thought this, she said: A girl is nothing to herself; only to her husband can she become something. What can she become? I asked. Why, she said, the mother of his children. But I am not the mother of anybody's children, I said, and I am something.
She'd become a governess. It was one of the few jobs a known lady could do. And she'd taken to it well. She'd sworn that if she did indeed ever find herself dancing on rooftops with chimney sweeps she'd beat herself to death with her own umbrella.
She imagined herself both queen and slave, dominatrix and victim. In her imagination she was making love with men of all skin colors--white, black, yellow--with homosexuals and beggars. She was anyone's, and anyone could do anything to her. She had one, two, three orgasms, one after another. She imagined everything she had never imagined before, and she gave herself to all that was most base and most pure.
She didn?t know if she could carry on by herself, but then, she realized that if this wasn?t a dream—and dear God, did it feel real—there was no magic ?stop? in real life. If she couldn?t deal with loneliness in a dream, she never would be able to while waking.
When she awoke there was a melody in her head she could not identify or recall ever hearing before. 'Perhaps I made it up,' she thought. Then it came to her - the name of the song and all its lyrics just as she had heard it many times before. She sat on the edge of the bed thinking, 'There aren't any more new songs and I have sung all the ones there are. I have sung them all. I have sung all the songs there are.
This site uses cookies to ensure you get the best experience. More info...
Got it!