A Quote by Jancee Dunn
I think in its own small way, it did push people to be more accepting of different kinds of music. It definitely made music more egalitarian in terms of, it took away the shame of the goofy bands that you liked.
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I could go play some songs for two hours every week - play whatever I wanted to - and then also spend that time putting more music on my computer and getting into more things. It definitely informs the way that I think about music and I think in general, made me a more open-minded consumer of music.
My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.
Because music wasn't free yet, they wouldn't really offer MP3s so you had to buy things to see if you liked it or not. Which is crazy if you think about how much music you bought and then didn't even like the stuff. It was a different world where bands made money off their music.
Now bands have to sing live, now people watch who sings on the record, now people want to hear the real music and not just plastic bands anymore. So I think we changed the music business to a better, more honest way.
My earliest memories of music are probably my dad listening to a bunch of outlaw country, but also old R&B and Ray Charles, Aretha Franklin. But, you know, I had rock phases and liked more modern R&B acts. I've always listened to all kinds of music, and I like all kinds of music.
Everyday something new pops into my mind: I could do this next or I could do that next. I want to grow more and more and show people different sides of myself, whether it's different kinds of music, different kinds of movies, or different kinds of television.
I've discovered all kinds of music and done all kinds of music over the past 40 years, from playing tango with Piazzolla to all the different bands I've had.
There is something about performing my own music, and other people's music, that gives me pleasure. I think I learn more by doing that than I ever did studying music.
All music is based on country music. And that's why so many different kinds of people relate to it. There are more country music fans in New Jersey than there are down South.
When I was a teenager, the way some of these kids out here be actively gay, it would have been ridiculed in the hood. And now the hood is a bit more accepting. Begrudgingly accepting, but definitely more accepting than 20 years ago when I was a little kid. That doesn't mean that anybody should stop fighting for equality just because people are begrudgingly a little more accepting.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
Folk music is music that everyday people can play, and it inspired a lot of people to make their own music. That trailed into making your own pop music, and that's why garage bands started springing up everywhere.
New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.
When I started making music, I made music in a very commercial space and I didn't have room to really explore things on my own terms. It took me awhile to create a little bubble where I could explore other things, and new things. When I did that, my tools were songwriting and arranging.
Britain, as a pop music nation, used to have this very 'empire' kind of attitude. We used to 'invade' the world with our bands, you know? That's obviously changed, because in Europe they're much more interested in bands speaking their own language. Especially in France and Germany. They're starting to develop their own bands much more.
To me living and music are all the same thing. And I keep finding out more about music as I learn more about myself, my environment, about all kinds of different things in life. I play what I live. Therefore, just as I can't predict what kinds of experiences I'm going to have, I can't predict the directions in which my music will go. I just want to write and play my instrument as I feel.
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