A Quote by Jancee Dunn
We were really responsive. It was very personalized for the die-hards that did watch, and I thought that would be a big draw, too.
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Live Free or Die Hard may work better for an audience that doesn't know much about the series is than it will for Die Hard die hards, who will be wondering who that impersonator is and what he did with the real John McClane. The original Die Hard came out of nowhere to blitz the 1988 summer box office. The fourth installment arrives with a weight of expectations that Atlas would have trouble shouldering and, when the dust settles in September, it's unlikely that Live Free or Die Hard will be one of this year's big success stories.
I have one really nice watch. It's a white-face, stainless-steel Rolex Daytona. I wear it a lot. I got that in the middle of 'The Office.' All the guys in the writers' room were like, 'Let's all get a nice watch.' We were too busy to upgrade our lives in a big way, but we thought this was a nice symbolic gesture.
As paradoxical as life would have it, some of these same persons who were beaten are terrorized by the Nazis are assisting the die-hards of the Citizens' Councils in bringing about economic pressure on Negroes who pay their poll taxes and register in Humphry County.
I was a really lousy artist as a kid. Too abstract expressionist; or I'd draw a big ram's head, really messy. I'd never win painting contests. I remember losing to a guy who did a perfect Spiderman.
I really liked the script of 'Alone.' I thought there were a lot unexpected things in the film, which I would want to watch as a viewer. I did not think like I was doing a horror film; I did not think in terms of genre. I decided on the basis of the script.
I couldn't draw anything that was too outlandish or too horrible. I never did that. What I did draw was something intriguing. There was something about this monster that you could live with. If you saw him you wouldn't faint dead away.
There was a lot of stuff [in Rock of Ages] that had effects in it and I thought it was too smooth. I thought it would be sexier if it were in-camera cuts. So I did that.
The rest of my days I'm going to spend on the sea. And when I die, I'm going to die on the sea. You know what I shall die of? I shall die of eating an unwashed grape. One day out on the ocean I will die — with my hand in the hand of some nice-looking ship's doctor, a very young one with a small blond moustache and a big silver watch.
On my very first day at T-Mobile, I demanded that every time I spoke publicly to the company, all employees across the country would be invited to watch. I faced legal and all that crap, but ultimately we were able to figure it out. We record it, too, so if somebody can't leave the sales floor, they can watch it later. Another thing I did very early on is give every employee stock, which we continue to do. So every time I speak to them I speak way over some of their heads.
They didn't send me the script for Scary Movie 4 because the script was very secretive. So I never did get one actually. But it is David Zucker and there is complete trust. So I read my scenes and I thought they were really funny. I thought it would be a riot to play the blind girl.
That's what's so great about the Internet. It allows pompous blow-hards to connect with other pompous blow-hards in a vast circle-jerk of pomposity.
I did two movies that were arthouse movies; they were critically successful but made no money at all... but after making those movies, I thought, 'I wouldn't watch my own movies when I was 16, and my buddies where I came from wouldn't watch my movies, because they were boring.'
You were supposed to die. It would have been a good start. (Kessar) I don’t know. I die, you get bored. World ends. Doesn’t really fit, does it? Besides, I can’t make things too easy on you. What’s life without pain? (Sin)
I really don't like watching myself and for the most part I will never watch myself. I worked with Kevin Smith on Yoga Hosers and I really respected the way that he directed. He told me, "It's very important to watch yourself." So he would direct by going, "Hey come over to the screen and watch this scene." And so it was very uncomfortable for me to have to watch myself but then he talked me through the process of that and it was very helpful.
You should have personalized genomics, personalized physiology, personalized medicine, where each person's different, and each body is an integrated whole.
Just classic immigrant story - I mean, child of immigrant story - did not grow up with cable and so felt constantly like I was being spoken to in a foreign language when I would go to school. And people would be like, did you watch this? Did you watch that? I'd be like, no, but I did watch 'SNL.'
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