A Quote by Jandy Nelson

When I'm with him, there is someone with me in my house of grief, someone who knows its architecture as I do, who can walk with me, from room to sorrowful room, making the whole rambling structure of wind and emptiness not quite as scary, as lonely as it was before.
...being Lulu, it made me realize that all my life I've been living in a small, square room, with no windows and no doors. And I was fine. I was happy, even. I thought. Then someone came along and showed me there was a door in the room. One that I'd never even seen before. Then he opened it for me. Held my hand as I walked through it. And for one perfect day, I was on the other side. I was somewhere else. Someone else. And then he was gone, and I was thrown back into my little room. And now, no matter what I do, I can't seem to find that door.
I have walked away from friendships when I've realized that someone smiles to someone's face and talks about them the minute they walk out of a room. I have no room in my life for that kind of negative energy anymore.
When I was a kid, I used to do my homework in the living room, where there was a picture window. I was hoping that someone would walk by and see me looking very studious in my living room.
I've never worked with a co-author before [Alison McGhee]. Writing for me is a pretty scary thing, so it was a huge comfort to have someone in the room working with me. It became less like work and more like play.
An intruder broke into Mike Tyson's hotel room in Las Vegas while he was sleeping but got out before Tyson could get to him. I don't know what's scarier. Having someone breaking into your room while you're sleeping or breaking into someone else's room and finding out the guy is Mike Tyson.
What will always be possible is for someone to walk into a dark room and experience a film and connect to it. And that's why I make my films - for people to go and have that experience. That's really the whole dream for me, so that hasn't gone anywhere. What has gone somewhere is making the numbers add up on each side of it. And who knows? I've had all kinds of freak-outs. I got married recently, and my wife listened to me go off the other day on this fear that maybe our culture has just moved beyond art entirely. Maybe we don't need it anymore.
If I walk into a room, and nobody knows who I am, and they've never seen wrestling a day in their life, I want everybody in that room to look at me and go, 'That guy does something. He is somebody important.'
Having some form of structure to process and manage grief collectively surely helps: as someone put it to me, grief is like a landscape without a map. Another suggested that grief makes you a stranger to yourself.
Someone real," I hear myself saying. "Someone who never has to pretend, and who I never have to pretend around. Someone who's smart, but knows how to laugh at himself. Someone who would listen to a symphony and start to cry, because he understands music can be too big for words. Someone who knows me better than I know myself. Someone I want to talk to first thing in the morning and last thing at night. Someone I feel like I've known my whole life, even if I haven't.
Don't ask me about emotions in the Welsh dressing room. I'm someone who cries when he watches Little House on the Prairie.
Don't worry. Don't apologize. Don't cower behind the defeated security of there is no 'room for someone like me'. There isn't room for any one of us. It's up to you to make a place for yourself in the world. So get to work.
I need someone to fold the sheet, someone to take the other end of the sheet and walk towards me and fold once , then step back , fold and walk towards me again .We all need someone to fold the sheet.Someone to hitch on the coat at the neck .Someone to put on the kettle. Someone to dry up while I wash.
Once a month I wake in the night, slippery with terror. I'm afraid, not because there's someone in the room, in the dark, in the bed, but because there isn't. I'm afraid of the emptiness, which lies beside me like a corpse.
?We need someone to get the room?s attention,? I said. ?Someone not afraid to make a spectacle—I mean, besides me, of course.?
For me, making films is about trying to work something out by myself in quite a lonely way. I find the whole thing very lonely really.
If I walk into a room, I'm quite content to sit in the corner and chat with people who walk by. But coaching forced me to come out of my shell.
This site uses cookies to ensure you get the best experience. More info...
Got it!