A Quote by Jandy Nelson

I wonder why bereaved people even bother with mourning clothes when the grief itself provides such an unmistakable wardrobe. — © Jandy Nelson
I wonder why bereaved people even bother with mourning clothes when the grief itself provides such an unmistakable wardrobe.
But there is a discomfort that surrounds grief. It makes even the most well-intentioned people unsure of what to say. And so many of the freshly bereaved end up feeling even more alone.
You really have to wonder why we even bother to get up in the morning. I mean, really: Why work? Simply to buy more stuff?
What is the difference between grief and mourning? Mourning has company.
I wonder how Admat can be everywhere. Is he in my sandal? Or is he my sandal itself? Why would a god bother to be a sandal? Does he wear shoes or sandals himself, invisible ones?
I wake up in that state of grief when you can tell you've been mourning even in your sleep.
'The Killing' has a really great combination of qualities: Even though it's very sad and deals with mourning and grief, it's still exciting. It's about real people and it doesn't shy from the painful points of life.
People ask me why I wear veils. I reply, I am mourning. Mourning what? Well I figure something shitty must be going on somewhere.
Life can be considered as a huge wardrobe, with so many dominos hung in its cupboards, one domino per year. Now I don't see why I couldn't change my mask in this wardrobe even twice a day.
The clothes are packed off to Goodwill I said my good-byes up on the hill The house is empty, the furniture sold Soon your smell will decay to mold Don't know why I bother calling, ain't nobody answering Don't know why I bother singing, ain't nobody listening "Disconnect" Collateral Damage, Track 10
If, as a culture, we don’t bear witness to grief, the burden of loss is placed entirely upon the bereaved, while the rest of us avert our eyes and wait for those in mourning to stop being sad, to let go, to move on, to cheer up. And if they don’t — if they have loved too deeply, if they do wake each morning thinking, I cannot continue to live — well, then we pathologize their pain; we call their suffering a disease. We do not help them: we tell them that they need to get help.
Television has never known what to do with grief, which resists narrative: the dramas of grief are largely internal - for the bereaved, it is a chaotic, intense, episodic period, but the chaos is by and large subterranean, and easily appears static to the friendly onlooker who has absorbed the fact of loss and moved on.
Even if you're starting from scratch and buying a new wardrobe, preppy clothes are very fairly priced compared to high fashion. They're very easy to absorb into your wardrobe. You probably already have stuff you can wear and there's a safety factor. You're dressed for success, in a way, if you look like you grew up with success.
I never troll for material. It simply presents itself, and is always unmistakable. This is why I want to roll my eyes when people interrupt themselves in the middle of some story they're telling me to say, "You know you can't write about this."
For survivors, the word closure often connotes that the bereaved are underachievers who flunked a grief course.
Every time you open your wardrobe, you look at your clothes and you wonder what you are going to wear. What you are really saying is 'Who am I going to be today?
Even the most respectable woman has a complete set of clothes in her wardrobe ready for a possible abduction.
This site uses cookies to ensure you get the best experience. More info...
Got it!