A Quote by Jane Alison
Like a lot of writers, I just got sick to death of conventional fiction. I absolutely couldn't stand the illusion of reality and plot. I just couldn't stomach it.
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I really need to know where I'm going with fiction to write it in a way that at least I'm happy with. And I really think that a lot of fiction books end badly because terrific writers said, "I'll just figure it out" and plunge in, but have created so many problems that they are kind of impossible to solve. I mean, I'm talking really good writers do this and you can tell when they got to the end they either had to do something preposterous or they just don't really resolve things. So for fiction I spend a lot more time outlining and for humor I really don't do much of it.
Trump has never sacrificed anything for this country, and in fact, he has attacked people who have. It just makes me sick to my stomach when I see him attacking the mother of a fallen hero or John McCain. It just makes me sick to my stomach that this guy thinks he's prepared to be commander-in-chief.
I would be on the 'anti-reality' show. I can't stand reality TV. I can tell you one that I absolutely would not be on, and that's 'Dancing With the Stars.' If you ever see me on that show, just please understand my family is starving to death, and things are really bad in the Church household.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
Fiction writers come up with some interesting metaphors when speaking of plot. Some say the plot is the highway and the characters are the automobiles. Others talk about stories that are "plot-driven," as if the plot were neither the highway nor the automobile, but the chauffeur. Others seem to have plot phobia and say they never plot. Still others turn up their noses at the very notion, as if there's something artificial, fraudulent, contrived.
If you read a book that's fiction and you get caught in the characters and the plot, and swept away, really, by the fiction of it - by the non-reality - you sometimes wind up changing your reality as well. Often, when the last page is turned, it will haunt you.
It's definitely hard for me watching myself on screen, it's very uncomfortable, but it's just like anything - the more you do it, the more you get used to it. When I first got out I was like, I can't look at all, it makes me sick to my stomach.
When you say that you write romantic fiction, there are a lot of people who have an image in their mind of the 'bodice ripper.' It's the one term that most romantic fiction writers absolutely hate because it has no bearing on what people are writing.
I've just got a really sick sense of humour that's separate from reality.
You convinced yourselves we're just a bunch of regular lads who got a bad break in life. Anything else would have cracked your dream open and made you face reality. Illusion is easy. Illusion is the loser's way out. Your way.
Death is an inevitable cycle. But sickness before death is a symptom of resistance. Most people think they've got to get sick to die. But, you could be like the cat who chooses to get run over. Or, you could just lie down in your bed happily one night, so content and thoughtless, wanting nothing in this physical world; and just reemerge into Pure Positive Energy... You can play it out any way you choose.
You can't remember the plot of the Dr Who movie because it didn't have one, just a lot of plot holes strung together. It did have a lot of flashing lights, though.
As writers and readers, we're drawn to conflict. It's that ancient theory of plot that's written on the whiteboard during every fiction workshop, characters who want something overcoming obstacles as a way to create narrative momentum and suspense. So there's that, that trauma gives us more plot.
I really want to do roles that have some substance, and I hope writers give us that importance. I can't alone stand up and demand roles like that. It's a collective thing. Writers have to believe in heroines and understand that there's more to a woman than just her curves. It's not that they can't do it. They just choose not to.
As soon as we renounce fiction and illusion, we lose reality itself; the moment we subtract fictions from reality, reality itself loses its discursive-logical consistency.
I still couldn’t stop the sick feeling rising in my stomach. “This could be a disaster.” “How? If anyone even finds it—and it’s not just sitting under a table right now—they’ll just have a good laugh at our sappy talk. No one’s going to be like, ‘Aha! Proof of an illicit human-and-vampire affair.
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