A Quote by Jane Asher

I do find modern jazz quite tricky. — © Jane Asher
I do find modern jazz quite tricky.

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I find as much inspiration from the forerunners of jazz as I do the modern-day innovators of jazz.
Louis Armstrong is the master of the jazz solo. He became the beacon, the light in the tower, that helped the rest of us navigate the tricky waters of jazz improvisation.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I got into trad jazz, then modern jazz, then avant-garde jazz, between the ages of 16 to 18.
I was going to say is that I come from a rock background, but also I was super interested in jazz for a long time. I was training to be a jazz musician for quite a while. I never trained to be a classical composer or player, but I did train to play jazz.
I like being out on the cricket field and performing and playing in front of a crowd. I find it quite tricky when there are press photographers outside my house. It's all very bizarre.
I find that jazz loosens up the deep place of my mind, lets me find my own strange rhythms. Generally, I find the knottier the jazz, the better. Anything with singing is a distraction. Listening to classical music tends to have the unconscious effect of making my writing too smooth.
The first couple of weeks of filming were quite tricky for me to find my feet with the character [Maigret], which wasn't helped by the story that we were telling.
We all listened to a lot of recorded music, especially American jazz, modern jazz, and that's where our studies were and our inspiration came from.
You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.
The only reason is that I hadn't seen The Modern Jazz Quartet perform live and a live performance is often where the real experience of jazz takes place. I'm not familiar with the Boswell Sisters.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
I once tried to sing jazz for real. But jazz didn't do it for me. You can't have jazz without a jazz world, which doesn't exist anymore.
Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
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