A Quote by Jane Austen

She is loveliness itself. — © Jane Austen
She is loveliness itself.
I hated the mountains and the hills, the rivers and the rain. I hated the sunsets of whatever colour, I hated its beauty and its magic and the secret I would never know. I hated its indifference and the cruelty which was part of its loveliness. Above all I hated her. For she belonged to the magic and the loveliness. She had left me thirsty and all my life would be thirst and longing for what I had lost before I found it.
faces deceive, and the loveliness of youth is not like the loveliness of age - an absolute mirror of the soul within.
I wait. Now the night flows back, the mighty stillness embraces and includes me; I can see the stars again and the world of starlight. I am twenty miles or more from the nearest fellow human, but instead of loneliness I feel loveliness. Loveliness and a quiet exultation.
Remember her hair in the morning before it was pinned, black, rampant, savage with loveliness. As if she slept in perpetual storm.
So he lent her books. After all, one of life's best pleasures is reading a book of perfect beauty; more pleasurable still is rereading that book; most pleasurable of all is lending it to the person one loves: Now she is reading or has just read the scene with the mirrors; she who is so lovely is drinking in that loveliness I've drunk.
Life has loveliness to sell, All beautiful and splendid things, Blue waves whitened on a cliff, Soaring fire that sways and sings, And children's faces looking up, Holding wonder like a cup. Life has loveliness to sell, Music like a curve of gold, Scent of pine trees in the rain, Eyes that love you, arms that hold, And for your spirit's still delight, Holy thoughts that star the night. Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstasy Give all you have been, or could be.
Michael Robartes remembers forgotten beauty and, when his arms wrap her round, he presses in his arms the loveliness which has long faded from the world. Not this. Not at all. I desire to press in my arms the loveliness which has not yet come into the world.
She left for Juilliard the day after Labor Day. I drove her to the airport. She kissed me good-bye. She told me that she loved me more than life itself. Then she stepped through security. She never came back.
through the loveliness and power of her dream world she was now, in her old frock and botched shoes, very likely the loveliest, mightiest and most dangerous person on earth
There isn't a sense of well-being and optimism about the nation's future, but that hasn't attached itself to the Democrats for some reason. They are not accountable. It certainly hasn't attached itself to Obamacare. That's why Hillary Clinton can run around and talk about the need to improve the economy. She ought to be dead politically on that score right there. She ought not be able to cite the economy at all as a positive. She ought not have any credibility at all on the economy.
For all its rooted loveliness, the world has no continuing city here; it is an outlandish place, a foreign home, a session in via to a better version of itself-and it is our glory to see it so and to thirst until Jerusalem comes home at last. We were given appetites, not to consume the world and forget it, but to taste its goodness and hunger to make it great.
She might have liked to try to strangle him with those slender fingers of hers, but she wanted to make a job of it and this great patience with which she waited for her claws to grow was in itself a form of enjoyment.
In her opinion, the parrots were annoying arrogant. You could buy the most beautiful one in town, she observed, but that won't make it love you. You could feed it, care for it and exclaim over its loveliness, but there was nothing to guarantee that it would stay home with you. There had to be a lesson in there somewhere.
She assumes that skill will guide her fingertips, that shapely lines will uncoil out of the pencil the moment she starts. Surely talent is a thing curled deep inside, just waiting to be exercised, and at the slightest invitation it will stretch, shake itself, make itself known? Talent, it seems, is not so insistent.
She lights a match in the dark hall and moves it onto the wick of the candle. Light lifts itself onto her shoulders. She is on her knees. She puts her hands on her thighs and breathes in the smell of the sulphur. She imagines she slap breathes in light.
With her foot on the threshold she waited a moment longer in a scene which was vanishing even as she looked, and then, as she moved and took Minta's arm and left the room, it changed, it shaped itself differently; it had become, she knew, giving one last look at it over her shoulder, already the past.
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