A Quote by Jane Austen
A novel must show how the world truly is. Somehow, reveals the true source of our actions.
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Great fiction shows us not how to conduct our behavior but how to feel. Eventually, it may show us how to face our feelings and face our actions and to have new inklings about what they mean. A good novel of any year can initiate us into our own new experience.
..The truly fraudulent claims must be discarded. But novel methods of therapy should not be rejected because they are novel, or because they run counter to some generally accepted belief ("which may just be biased"), or because we do not understand the mechanism of the proposed treatment, or because it has come from an unconventional source.
Things present themselves to you, and it's how you choose to deal with them that reveals who you are. We all say a lot of things, don't we, about who we are and how we think. But in the end it's your actions, how you respond to circumstance that reveals your character.
If a novel reveals true and vivid relationships, it is a moral work, no matter what the relationships consist in. If the novelisthonours the relationship in itself, it will be a great novel.
What makes a hero? Courage, strength, morality, withstanding adversity? Are these the traits that truly show and create a hero? Is the light truly the source of darkness or vice versa? Is the soul a source of hope or despair? Who are these so called heroes and where do they come from? Are their origins in obscurity or in plain sight?
The true and lasting genius of humour does not drag you thus to boxes labelled 'pathos,' 'humour,' and show you all the mechanism of the inimitable puppets that are going to perform. How I used to laugh at Simon Tapperwit, and the Wellers, and a host more! But I can't do it now somehow; and time, it seems to me, is the true test of humour. It must be antiseptic.
What a person says and does in ordinary moments when when no one is looking reveals more about true character than grand actions taken while in the spotlight. Our true character is revealed by normal, consistent, everyday attitudes and behavior, not by self-conscious words or deeds or rare acts of moral courage.
In our animation we must show only the actions and reactions of a character, but we must picture also with the action. . . the feeling of those characters.
Nature, and the original system that created us, must always remain somehow with us, the bedrock of our movements and actions. What is our duty? To live a life.
The test of our social commitment and humanity is how we treat the most powerless of our fellow citizens, the respect we accord to our fellow human beings. That is what reveals our true culture.
The thing I have learned through the years is that one idea 'doth' not a novel make. A novel must be several seemingly unrelated ideas that somehow magically come together to create the fabric of the story.
Children are our crop, our fields, our earth. They are birds let loose into darkness. They are errors renewed. Still, they are the only source from which may be drawn a life more successful, more knowing than our own. Somehow they will do one thing, take one step further, they will see the summit. We believe in it, the radiance that streams from the future, from days we will not see. Children must live, must triumph. Children must die; that is an idea we cannot accept.
Behavior influences consciousness. Right behavior means right consciousness. Our attitude here and now influences the entire environment: our words, actions, ways of holding and moving ourselves, they all influence what happens around us and inside us. The actions of every instant, every day, must be right...Every gesture is important. How we eat, how we put on our clothes, how we wash ourselves, how we go to the toilet, how we put our things away, how we act with other people, family, wife, work - how we are: totally, in every single gesture.
One must somehow find a way of loving the world without trusting it; somehow one must love the world without being worldly.
Since September 11, it seems to me that never in our lifetime, except possibly in the early stages of World War II, has it been clearer that we have as a source of strength, a source of direction, a source of inspiration - our story.
The immature conscience is not its own master. It simply parrots the decisions of others. It does not make judgments of its own; it merely conforms to the judgments of others. That is not real freedom, and it makes true love impossible, for if we are to love truly and freely, we must be able to give something that is truly our own to another. If our heart does not belong to us, asks Merton, how can we give it to another?
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