A Quote by Jane Austen

And now I may dismiss my heroine to the sleepless couch, which is the true heroine's portion - to a pillow strewed with thorns and wet with tears. And lucky may she think herself, if she get another good night's rest in the course of the next three months.
If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard?
On some such night as this she remembered promising to herself to live as brave and noble a life as any heroine she ever read or heard of in romance, a life sans peur et sans reproche; it had seemed to her then that she had only to will, and such a life would be accomplished. And now she had learnt that not only to will, but also to pray, was a necessary condition in the truly heroic. Trusting to herself, she had fallen.
In the '80s, there was a fixed costume of a heroine, and not the physical costume, but this is what a heroine is, she is an art prop. She will look beautiful, support the hero, dance, get saved by hero. I didn't ever aim to go there.
She was like a heroine in a novel that she herself was writing the character kept protesting that she was too strong for love and yet the narrator went on describing her desire.
What makes a heroine? I think I can answer that. A heroine is a woman who risks going too far in order to find out how far one can go for a cause greater than herself.
There are things that a woman sings, and only a woman knows the full meaning. You may sing for men as well as for women, but only a woman knows your full meaning. I am not a feminista. I only think a woman should be true to who she believes herself to be. Or who she wants herself to be. Or who she imagines herself to be. I don't know what I mean, or whether I'm true myself to any of that. I don't think there are many of us who are true to our possibilities.
Ariel may look a lot like Barbie, and her adventure may be limited to romance and over with the wedding bells, but unlike, say, Cinderella or Sleeping Beauty, she's active, brave and determined, the heroine of her own life. She even rescues the prince. And that makes her a rare fish, indeed, in the world of preschool culture.
No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be a heroine... But from fifteen to seventeen she was in training for a heroine.
Catwoman is Batman's one true love. She's tremendously popular with women because she's both a heroine and a villainess.
She may know a little, may think of herself, face and body, as ‘pretty’…but he could never tell her all the rest, how many other living things, birds, nights smelling of grass and rain, sunlit moments of simple peace, also gather in what she is to him.
Of course the Man was wild too. He was dreadfully wild. He didn't even begin to be tame till he met the Woman, and she told him that she did not like living in his wild ways. She picked out a nice dry Cave, instead of a heap of wet leaves, to lie down in; and she strewed clean sand on the floor; and she lit a nice fire of wood at the back of the Cave; and she hung a dried wild-horse skin, tail down, across the opening of the Cave; and she said, 'Wipe your feet, dear, when you come in, and now we'll keep house.
[The consumer] shown new styles in the moment, but she's not going to get them for another six months - and I think that's very confusing for her. She feels she's seen it all by the time it comes around. She's also a little bored. She's really into [snaps her fingers], "Wear-now-buy-now."
She's not here," I tell him. Buttercup hisses again. "She's not here. You can hiss all you like. You won't find Prim." At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. "Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead, you stupid cat. She's dead.
True the Black woman did the housework, the drudgery; true, she reared the children, often alone, but she did all of that while occupying a place on the job market, a place her mate could not get or which his pride would not let him accept.And she had nothing to fall back on: not maleness, not whiteness, not ladyhood, not anything. And out of the profound desolation of her reality she may very well have invented herself.
Emulation looks out for merits, that she may exalt herself by a victory; envy spies out blemishes that she may lower another by defeat.
although she went home that night feeling happier than she had ever been in her short life, she did not confuse the golf course party with a good party, and she did not tell herself she had a pleasant time. it had been, she felt, a dumb event preceded by excellent invitations. what frankie did that was unusual was to imagine herself in control. the drinks, the clothes, the instructions, the food (there had been none), the location, everything. she asked herself: if i were in charge, how could i have done it better?
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