A Quote by Jane Austen

If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? — © Jane Austen
If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard?
And now I may dismiss my heroine to the sleepless couch, which is the true heroine's portion - to a pillow strewed with thorns and wet with tears. And lucky may she think herself, if she get another good night's rest in the course of the next three months.
No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be a heroine... But from fifteen to seventeen she was in training for a heroine.
In the '80s, there was a fixed costume of a heroine, and not the physical costume, but this is what a heroine is, she is an art prop. She will look beautiful, support the hero, dance, get saved by hero. I didn't ever aim to go there.
She was like a heroine in a novel that she herself was writing the character kept protesting that she was too strong for love and yet the narrator went on describing her desire.
On OTT, it's not about her or heroine, every single character is powerful and a hero, heroine in their own space.
I never stopped being a heroine. I began acting when I was four and bagged my first film as a heroine at the age of 15.
I love that Moana is a heroine, and I hope people take that away, and that you most certainly can be the heroine, or hero, of your own story.
I can't imagine a romance novel published today where the hero rapes the heroine and she falls in love with him.
We now have a national security consideration, public health issues, we have an epidemic of heroine overdoses in all places in this country because of the ease of bringing heroine in. We have to secure the border.
What makes a heroine? I think I can answer that. A heroine is a woman who risks going too far in order to find out how far one can go for a cause greater than herself.
The audience simply don't find a heroine picking a fight with 10 guys as convincing as a hero. So the industry always sticks to psychological thrillers and ghost movies for heroine-oriented projects and this can sustain only for a short time.
A lot of my work has been about the unexpected—that kind of wanting to be the heroine and yet wanting to kill the heroine at the same time. That kind of dilemma—that push and pull—is the underlying turbulence that I bring to each of the pieces that I make.
I will not adopt that ungenerous and impolitic custom so common with novel writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding?joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid leaves with disgust.
I've found in the past that the more closely I identify with the heroine, the less completely she emerges as a person. So from the first novel I've been learning techniques to distance myself from the characters so that they are not me and I don't try to protect them in ways that aren't good for the story.
I am going to take a heroine whom no one but myself will much like
THREE DAYS TO DEAD is one of the best books I've read. Ever. Evy Stone is a heroine's heroine, and I rooted for her from the moment I met her. Kelly Meding has written a phenomenal story, one that's fast-paced, gritty, and utterly addictive. Brava! More! More! More!
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