A Quote by Jane Austen

An interval of meditation, serious and grateful, was the best corrective of everything dangerous in such a high-wrought felicity; and she went to her room, and grew steadfast and fearless in the thankfulness of her enjoyment.
An interval of meditation, serious and grateful, was the best corrective of everything dangerous.
Hey Sydney," she said, giving me a small, crooked smile as she entered the room. Her flashing, dark eyes were friendly, but they were also assessing everything in the room, much as Eddie's gaze was. It was a guardian thing. Rose was about my height and dressed very casually in jeans and a red tank top. But, as always, there was something as exotic and dangerous about her beauty that made her stand out from everyone else. She was like a tropical flower in this dark, stuffy room. One that could kill you.
In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.
She expected the pain, when it came. But she gasped at its sharpness; it was not like any pain she had felt before. He kissed her and slowed and would have stopped. But she laughed, and said that this one time she would consent to hurt, and bleed, at his touch. He smiled into her neck and kissed her again and she moved with him through the pain. The pain became a warmth that grew. Grew, and stopped her breath. And took her breath and her pain and her mind away from her body, so that there was nothing but her body and his body and the light and fire they made together.
I know what she used to do sometimes. She kept her best cape she wore on the street in there, and she used occasionally to go up there to get it and to take it into her room. She kept a great deal in the guest room drawers.
I really like IU... I just think she has the most adorable everything. Her voice is beautiful; she's talented at writing music, guitar, everything. I fell in love with her when I watched her on that drama 'Dream High.' That's probably when I first really fell in love with her.
She's like a Barbie, then she wants to be a superhero, or coming out of a spaceship and everything's pink. She makes a certain move that's ghetto hood mixed with a little robot so its like I'm evolving Nicki Minaj and developing her style. She's fearless, and I love her.
The story of Terisa and Geraden began very much like a fable. She was a princess in a high tower. He was a hero come to rescue her. She was the only daughter of wealth and power. He was the seventh son of the lord of the seventh Care. She was beautiful from the auburn hair that crowned her head to the tips of her white toes. He was handsome and courageous. She was held prisoner by enchantment. He was a fearless breaker of enchantments. As in all the fables, they were made for each other.
Little Lotte thought of everything and nothing. Her hair was as golden as the sun's rays, and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her red shoes and her fiddle, but loved most of all, when she went to sleep, to hear the Angel of Music.
My mother didn't feel sorry for herself, she was left with no child support, no alimony at a very young age, with a child to raise, a high school education and she just figured it out. She didn't complain, she didn't rely upon government, she relied upon her own skill set, her own self confidence, her own drive in moxie and her own duty to me and her and she relied upon her family and her faith.
she was oppressed, she was overcome by her own felicity; and happily disposed as is the human mind to be easily familiarized with any change for the better, it required several hours to give sedateness to her spirits, or any degree of tranquillity to her heart.
She wanted to have him hold her and tell her all the demons were pretend, that there was no monster in her closet, that everything would be okay. But that was a lie. The demon was in her head, telling her she was too fat. She had to get the demon out. But she couldn't do it by herself.
Because no, I didn’t push her away. I didn’t add to her pain or do anything to hurt her. Instead, I left her alone in that room. The only person who might’ve been able to reach out and save her from herself. To pull her back from wherever she was heading. I did what she asked and I left. When I should have stayed.
She came into a room; she stood, as he had often seen her, in a doorway with lots of people round her. But it was Clarissa one remembered. Not that she was striking; not beautiful at all; there was nothing picturesque about her; she never said anything specially clever; there she was however; there she was.
I miss my grandmother every day. I miss her vitality, her interest in the lives of others, her courage and determination, her perceptive wisdom, her calm in the face of all difficulties, her steadfast belief in the British people and above all her unstoppable sense of mischievous humour.
She needs someone who will be everything for her: her friend, her boyfriend, her confidant, her lover and sometimes even her enemy.
This site uses cookies to ensure you get the best experience. More info...
Got it!