A Quote by Jane Austen

Is there not something wanted, Miss Price, in our language - a something between compliments and - and love - to suit the sort of friendly acquaintance we have had together?
I love to act, I've always wanted to be an actor. I think that acting and fiction go nicely together - being able to visualize language as something you perform, not just something that's there on the page.
There on the sofa, as I nursed Maxie and her eyes slid closed, I said to the girls, 'I think nursing is where kisses come from.' I had been thinking about it. Nursing had to be the place where nurturing and sweet milk and soft skin and mouths and warmth all came together and started to mean something about love. I had always assumed kissing was a learned thing, like waving bye-bye or speaking a language. But since Maxie, I'd decided that it was innate, the adult version of something we know to do from the moment we're born. All of it tied together in the cycle of life.
He had to choose between something he had become accustomed to and something he wanted to have.
I love the idea of a woman's suit, but I wanted something that was a little easier to wear.
Whatever we were saying in our music had to represent something and really stand for something. I just wanted to do something with purpose.
The growth of my love story had been gradual but my success had always existed and both coupled together formed a deadly combination that was detrimental to our love. I wanted people to love me. She wanted them to leave her alone.
I think a lot of people miss out on opportunities, they miss out on achieving their dream, and they miss out on doing what they love to do because they're allowing something else, something outside of them and outside of God, to dictate what their life's going to look like.
I've written a number of songs over the years and it's a big part of my life, this sort of tension between a longing for home and the call for the open road. It's sort of like a tug between two families. I even love to miss my home.
Aidan to Jude: What's wrong with running away if where you were didn't suit you? Doesn't it follow you're funning to something else? Something that does suit you?
I'm a Libra. If someone compliments me, I'll say something nice to them. I like to give out compliments.
One of my favorite literary theorists, Mikhail Bakhtin, wrote that the defining characteristic of the novel is its unprecedented level of "heteroglossia" - the way it brings together so many different registers of language. He doesn't mean national languages, but rather the sublanguages we all navigate between every day: high language, low language, everything. I think there's something really powerful about the idea of the novel as a space that can bring all these languages together - not just aggregate them, like the Internet is so good at doing, but bring them into a dialogue.
At that moment, it seemed to him that time stood still, and the Soul of the World surged within him. When he looked into her dark eyes, and saw that her lips were poised between a laugh and silence, he learned the most important part of the language that all the world spoke — the language that everyone on earth was capable of understanding in their heart. It was love. Something older than humanity, more ancient than the desert. Something that exerted the same force whenever two pairs of eyes met, as had theirs here at the well.
I wanted to go to Washington to bring people together who had never been together before. I wanted to break down the barriers between races.
Watching my daughter sort of live in this world where a photograph is not something to keep a memory. It's something to just speak with. It's language.
There was a language in the world that everyone understood, a language the boy had used throughout the time that he was trying to improve things at the shop. It was the language of enthusiasm, of things accomplished with love and purpose, and as part of a search for something believed in and desired.
He wanted to care, he wanted to care so badly, but there was this gap between what he felt and what he wanted to feel, a space where something important had been carved out.
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