A Quote by Jane Austen

Eleanor went to her room "where she was free to think and be wretched. — © Jane Austen
Eleanor went to her room "where she was free to think and be wretched.
Eleanor Roosevelt never thought that she was attractive. She never thought that she was really sufficiently appealing. And I think her whole life was a response to her effort to get her mother to pay attention to her, to love her, and to love her as much as she loved her brothers.
She [Eleanor Roosevelt]wants a life of her own. Her grandmother could have been a painter. Her grandmother could have done so much more than she did with her life. And Eleanor Roosevelt decides she is going to do everything possible with her life. She's going to live a full life.
Well, when Eleanor Roosevelt's mother dies, she goes to live with her Grandmother Hall. And her Grandmother Hall is in mourning. She's in widow's weeds. She's in her 50s, but appears very old. And she's exhausted from raising rather out-of-control children. Her favorite daughter, Anna, has died (Eleanor's mother), and she has living at home two other sons, Vallie and Eddie. And they are incredible sportsmen, incredible drinkers, out-of-control alcoholics.
At the age of fifty-six Eleanor Stoddard was still a beautiful woman. She owned three hotels in France and another two in England. From nothing at all, she had built an empire. Eleanor had it all. Her one weakness was the young man sleeping beside her.
She writes that one of the moments that she felt most useful was when her mother had a headache, and she would stroke her head and rub her forehead. And I think Eleanor Roosevelt's entire life was dedicated to two things: (one) making it better for all people, people in trouble and in need, like her family.
I think that, very often there's a pain that's just too painful to touch. You'll break apart. And I think her mother's death and disappearance and abandonment was something she just never could deal with. Eleanor Roosevelt, when she's really very unwell in 1936, she takes to her bed. She has a mysterious flu.
Her mother died at the age of 29, essentially turning her face to the wall and deciding to die. And so we can only imagine the agony she felt. And Eleanor Roosevelt really wanted to make her mother happier, and - and to make her live, you know, make her want to live. And there's something about, you know, when your mother dies, this sense of abandonment. I think Eleanor Roosevelt had a lifelong fear of abandonment and sense of abandonment after her parents' death.
I think Eleanor Roosevelt's so popular at Allenswood because it's the first time she is, number one, free. But it's the first time somebody really recognizes her own leadership abilities and her own scholarly abilities.
Eleanor Roosevelt's very helpful to a lot of children who cannot speak French, who do not write well. And Marie Souvestre is fierce. She tears up students' papers that are not, you know, perfect. And Eleanor Roosevelt goes around, again, being incredibly helpful to children in need, children in trouble. And her best friends are the naughtiest girls who are in trouble. And she is a leader. And she is encouraged to be a leader. And everybody falls in love with her. She's a star.
And during the campaign of 1936, she writes that she and her brother would always rather be out doing things when they're sick, rather than take to their beds. And I think Eleanor Roosevelt always responded to pain by doing more, by doing something, by being active. And I think she just couldn't bear to look at her childhood grief. And she didn't.
I think Eleanor Roosevelt always had a most incredible comfort writing letters. I mean, she was in the habit of writing letters. And that's where she allowed her fantasies to flourish. That's where she allowed her emotions to really evolve. And that's where she allowed herself to express herself really fully, and sometimes whimsically, very often romantically. And it really starts with her letters to her father, who is lifelong her primary love.
You know?" he repeated. She smiled, so he kissed her. "You're not the Han Solo in this relationship, you know." "I'm totally the Han Solo," she whispered. It was good to hear her. It was good to remember it was Eleanor under all this new flesh. "Well, I'm not the Princess Leia," he said. "Don't get so hung up on gender roles," Eleanor said.” ... “You can be Han Solo," he said, kissing her throat. "And I'll be Boba Fett. I'll cross the sky for you.
In one way, it is this sense of order and also love that, I think, really saved Eleanor Roosevelt's life. And in her own writing, she's very warm about her grandmother, even though, if you look at contemporary accounts, they're accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli.
I think she [Eleanor Roosevelt] never was called because she probably didn't know an awful lot. The whole burden of the criticism of her on the subject of Communism is naiveté, not participation. And again, being a public figure and our representative at the UN, there was nothing Communist about her, certainly.
She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.
Eleanor Roosevelt loved to write. She was a wonderful child writer. I mean, she wrote beautiful essays and stories as a child. And Marie Souvestre really appreciated Eleanor Roosevelt's talents and encouraged her talents. Also, she spoke perfect French. She grew up speaking French. She's now at a french-speaking school where, you know, girls are coming from all over the world. Not everybody speaks French.
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