A Quote by Jane Austen
At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived.
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The editor sat in his sanctum, his countenance furrowed with care, His mind at the bottom of business, his feet at the top of a chair, His chair-arm an elbow supporting, his right hand upholding his head, His eyes on his dusty old table, with different documents spread.
A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
Uriah looked better than he did an hour ago--he washed the blood from his mouth, and some of the color returned to his face. I'm struck, suddenly, by how handsome he is-- all his features are proportionate, his eyes dark and lively, his skin bronze-brown. And he has probably always been handsome. Only boys who have been handsome from a young age have that arrogance in their smile. Not like Tobias, who is almost shy when he smiles like he is surprised you bothered to look at him from the first place.
The expression of a man's face is commonly a help to his thoughts, or glossary on his speech; but the countenance of Newman Noggs, in his ordinary moods, was a problem which no stretch of ingenuity could solve.
It is not the man who is beside himself, but he who is cool and collected,--who is master of his countenance, of his voice, of his actions, of his gestures, of every part of his play,--who can work upon others at his pleasure.
Every man's own character is written so all who will may read it, in the expression of his eyes, the tone of his voice, the posture of his body, the style of his clothes, and the nature of his deeds!
A slow smile began on Gideon's face, and his blue eyes sparkled. With a shake of his head, he put his hand on his chest, as if the sight of her was more than his heart could bear.
For every man's nature is concealed with many folds of disguise, and covered as it were with various veils. His brows, his eyes, and very often his countenance, are deceitful, and his speech is most commonly a lie.
I loved my friend for his gentleness, his candor, his good repute, his freedom even from my own livelier manner, his calm and reasonable kindness. It was not any particular talent that attracted me to him, or i anything striking whatsoever. I should say in one word, it was his goodness.
What becomes decisive to a Justice's functioning on the Court in the large area within which his individuality moves is his general attitude toward law, the habits of the mind that he has formed or is capable of unforming, his capacity for detachment, his temperament or training for putting his passion behind his judgment instead of in front of it. The attitudes and qualities which I am groping to characterize are ingredients of what compendiously might be called dominating humility.
He must have been handsome when he was alive and was handsome still, although made monstrous by his pallor and her awareness of what he was. His mouth looked soft, his cheekbones as sharp as blades, and his jaw curved, giving him an off-kilter beauty. His black hair a mad forest of dirty curls.
Step back in time; look closely at the child in the very arms of his mother; see the external world reflected for the first time in the yet unclear mirror of his understanding; study the first examples which strike his eyes; listen to the first words which arouse within him the slumbering power of thought; watch the first struggles which he has to undergo; only then will you comprehend the source of his prejudices, the habits, and the passions which are to rule his life. The entire man, so to speak, comes fully formed in the wrappings of his cradle.
A man who knows the court is master of his gestures, of his eyes and of his face; he is profound, impenetratable; he dissimulates bad offices, smiles at his enemies, controls his irritation, disguises his passions, belies his heartm speaks and acts against his feelings.
A person does not...stand motionless and clear before our eyes with his merits, his defects, his plans, his intentions with regard to ourself exposed on his surface...but is a shadow which we can never succeed in penetrating...a shadow behind which we can alternately imagine, with equal justification, that there burns the flame of hatred and of love.
Everybody lies...every day, every hour, awake, asleep, in his dreams, in his joy, in his mourning. If he keeps his tongue still his hands, his feet, his eyes, his attitude will convey deception.
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