A Quote by Jane Austen
No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be a heroine... But from fifteen to seventeen she was in training for a heroine.
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THREE DAYS TO DEAD is one of the best books I've read. Ever. Evy Stone is a heroine's heroine, and I rooted for her from the moment I met her. Kelly Meding has written a phenomenal story, one that's fast-paced, gritty, and utterly addictive. Brava! More! More! More!
She doesn't do the things heroines are supposed to. Which is rather Jane Austen's point - Fanny is her subversive heroine. She is gentle and self-doubting and utterly feminine; and given the right circumstances, she would defy an army.
On OTT, it's not about her or heroine, every single character is powerful and a hero, heroine in their own space.
On some such night as this she remembered promising to herself to live as brave and noble a life as any heroine she ever read or heard of in romance, a life sans peur et sans reproche; it had seemed to her then that she had only to will, and such a life would be accomplished. And now she had learnt that not only to will, but also to pray, was a necessary condition in the truly heroic. Trusting to herself, she had fallen.
I would play ball with Catherine, and hide and seek: Not a very challenging game in an open meadow, but she was still at the age where she believed that if she shut her eyes and buried her head under a shawl then she could not be seen.
Selfishly, perhaps, Catti-brie had determined that the assassin was her own business. He had unnerved her, had stripped away years of training and discipline and reduced her to the quivering semblance of a frightened child. But she was a young woman now, no more a girl. She had to personally respond to that emotional humiliation, or the scars from it would haunt her to her grave, forever paralyzing her along her path to discover her true potential in life.
In the '80s, there was a fixed costume of a heroine, and not the physical costume, but this is what a heroine is, she is an art prop. She will look beautiful, support the hero, dance, get saved by hero. I didn't ever aim to go there.
If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard?
As her life became more unhappy, acting attracted Marie-Antoinette because it fulfilled unmet emotional needs. By all accounts, she was quite good in her little private theatricals. But her desire to be a heroine, both literally and figuratively, was shocking to the French.
If my life were a corny horror movie, and the heroine was lost and alone, trapped in an underwater cave, what would happen next? If you guessed, “She drops her flashlight, and it hits a rock and breaks, leaving her in utter darkness,” you would be right. But I bet you didn’t guess the part about an attack by a giant octopus.
Emma took the revelation, on polygamy supposed she had all there was; but Joseph had wisdom enough to take care of it, and he had handed the revelation to Bishop Whitney, and he wrote it all off... She went to the fireplace and put it in, and put a candle under it and burnt it, and she thought that was the end of it, and she will be damned as sure as she is a living woman. Joseph used to say that he would have her hereafter, if he had to go to hell for her, and he will have to go to hell for her as sure as he ever gets her.
I don't quite understand what Tolstoy's actual personal view of Anna is - whether he likes her or hates her, whether she's the heroine or the antiheroine.
Ariel may look a lot like Barbie, and her adventure may be limited to romance and over with the wedding bells, but unlike, say, Cinderella or Sleeping Beauty, she's active, brave and determined, the heroine of her own life. She even rescues the prince. And that makes her a rare fish, indeed, in the world of preschool culture.
Moana is an incredible heroine. She's strong... She's got her two feet firmly planted. She's definitely grounded.
Julia Louis-Dreyfus is just perfect in 'Veep.' She gets to show off the spiky claws beneath her patrician finesse. The obvious way to play 'Veep' would be to make Louis-Dreyfus a folksy heroine, one with more common sense or populist heart than her enemies. But she isn't one.
He had even read Pride and Prejudice--although he had thought that many of the heroine's problems would have been solved if someone had simply strangled her mother.
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