A Quote by Jane Birkin

I didn't really think of myself as being a muse. — © Jane Birkin
I didn't really think of myself as being a muse.
I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.
People think of me as a stereotype: muse, privileged, decorative. Classically, the muses were the inspiration. They'd come and go - they wouldn't actually make things, get their hands dirty. I don't think I'm a muse, although I think I can help pull a trigger. I really like getting my hands dirty.
I think being consistent is really important. In the arts there's a misconception that you sit around waiting for the muse to come, and that it's all really mystical and mysterious. In reality, sometimes you have to fake it till you make it.
Once you start being a muse, you cannot stop being a muse.
For too many centuries women have been being muses to artists. I wanted to be the muse, I wanted to be the wife of the artist, but I was really trying to avoid the final issue — that I had to do the job myself.
Really, whatever I was seeking and looking into in those days like creative arts, chant, the muse being in touch with the muse for poetry and writing and music. It's all part of the spirit and if we look particularly at Hinduism and Buddhism, the tantric stream of those traditions totally embraces all aspects of human life and life on this world.
My muse changes all the time because I think every designer is a bit of a muse for themselves in a way - they just don't want to say it.
I get really antsy if I stay in one place too long. Universal was really supportive and understood that I needed to go across the Atlantic to reinvent myself and to find my voice, my muse.
I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
It can pay off, being a hack. Given the depraved state of American culture, a slick dude can make millions being a hack. But even if you succeed, you lose, because you’ve sold out your Muse, and your Muse is you, the best part of yourself, where your finest and only true work comes from.
I think I was just really comfortable in my goalie equipment, just being in the net and being by myself for 60 minutes and talking to myself sometimes.
I want the power that comes from expressing myself creatively and putting something back into the world. Being someone's muse would be flattering, but it could get old fast.
It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.
I just think of myself as a comedian, really. I mean, I talk about being Jewish a lot. It's funny because I do think of myself as Jewish ethnically, but I'm not religious at all. I have no religion.
It's not that I don't experience absolute sadness, which is very unentertaining, but I think - when I'm being really honest about myself - I think there's, like, a really performative streak in my personality.
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