A Quote by Jane Birkin
Any film I see at two o'clock in afternoon with my mother seems to cast a strange spell that means we both come out sobbing.
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Careful the spell you cast, not just on children. Sometimes the spell may last Past what you can see And turn against you... Careful the tale you tell. That is the spell.
It would have been better to come back at the same hour,” said the fox. “If, for example, you came at four o’clock in the afternoon, then at three o’clock I shall begin to be happy. I shall feel happier and happier as the hour advances. At four o’clock, I shall already be worrying and jumping about. I shall show you how happy I am! But if you come at just any time, I shall never know at what hour my heart is to be ready to greet you . . . One must observe the proper rites . . .
When you're a kid, if you watch 'The Jeffersons' with your family at seven o'clock, it seems like a natural phenomenon, like the sun setting. The universe is a strange, strange place when all of a sudden you can't use your glass with the Bionic Woman on it any more.
We lost our jobs at 'Heart and Lights' at one-o'clock that day. At two-o'clock, I got the call from Telsey telling me I was cast in 'Hamilton.'
Eragon cried out, and in his desperation he reached for Saphira and the Eldunarí... and without meaning to, he drew from their stories of energy. And with that energy he cast a spell. It was a spell without words... His was a spell of instinct and emotion; language could not contain it.
A revival does two things. First, it returns the Church from her backsliding and second, it causes the conversion of men and women; and it always includes the conviction of sin on the part of the Church. What a spell the devil seems to cast over the Church today!
With knot of one, the spell's begun. With knot of two, the spell be true. With knot of three, the spell is free. With knot of four, the power is stored. With knot of five, the spell with thrive. With knot of six, this spell I fix.
I thought that the R&B / Hip-Hop world really hasn't been explored on film and there's some issues that we're going through right now. It's in a very dangerous place , for women especially, both in terms of the songs that men are singing about. You know, R&B used to be a safe place for women and now it just seems like the songs coming out are so angry but also what women have to come out with. You have to get noticed. You see, it's like a script to follow. You come out hyper sexualized but what happens when you can't pull back from that. That's not authentic to yourself.
Saturday The 14th movie is a cult classic. And you know another one like that that I did, is Three O'Clock High. People come up to me about those two all the time. Film schools even study Three O'Clock High. Shot for shot, it's a textbook.
Here is how I work: when I think that a film needs to have a principal theme, I search for a melody. I have a very strange melodic gift: melodies come to me effortlessly. So I write melodies-thirty, forty, fifty-then I cast them off until I have just two or three. If only one is needed, I go see the director and ask him to decide. That happened one time with Jacques Demy for the duo of the twins [in Les demoiselles de Rochefort]: I went to his house in Noirmoutier to play 35 possible themes for him.
I love to see a guy who keeps plugging away make the most of his chance. You look at any successful team, and there's always a player or two who seems to come out of nowhere to help lift that team to new heights.
Cast aside any column about two subjects. It means the pundit chickened out on the hard decision about what to write about that day.
There is Bengal, and Bihar, Barakor river is in the middle of them; so strange, so profound! No other river (not even Ganga) has cast so vast a spell on me.
My vicinity affords many good walks; and though for so many years I have walked almost every day, and sometimes for several days together, I have not yet exhausted them. An absolutely new prospect is a great happiness, and I can still get this any afternoon. Two or three hours' walking will carry me to as strange a country as I ever expect to see.
It doesn't matter how late I come home - it could be two o'clock, three o'clock in the morning - I have to take off my makeup.
If prose can cast a spell, we will listen to it no matter what it's saying. If a narrative uses language in a magical and enlivening way, we will listen to the story. But if the language doesn't cast a spell, we will listen to it only if it is telling us something that actually happened.
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