A Quote by Jane Elliot

I love playing smart and tough and having funny lines. — © Jane Elliot
I love playing smart and tough and having funny lines.
Of course I am tough, but I am smart, too. I'm more smart than tough. People watching my record and say that this guy is tough. This is not about tough; this is about mind. You think when you fight. This is about everything.
It's a game of failure [softball]. Everybody would play, that was easy and everyone's not playing because it is so tough. But it's a matter of keep plugging away, keep working hard, believing in yourself and it is a team sport and there is nothing better than being out there, having a ball in your hand, playing the game that you love and ultimately that's what it comes down is having fun and enjoying it.
It's so funny when people who are not used to making movies get into it. You just can't believe how insufferably boring it is. Waiting around and doing these lines over and over and finally having to go in and loop the lines and dub them.
I love playing. In lots of ways, I think having been able to carry on playing purely out of love rather than having to do it for a living means I still love the drums. It helps that, if I don't want to play, I don't really have to! I'm not the best drummer in the world, but it's something I love and enjoy, and that sounds like a good trade.
Funny bones, to me, are more important than funny lines. If a comedian is just not likable and doing the lines, you could read them yourself. Whereas if someone [you like] shambles out, and they tell you what a bad day they've had, they don't have to say anything. I love them. I want to hug them because they've been through something. And it comes back to empathy, always empathy.
The female love interest is boring to me. A female that's interesting, smart, funny - that's what I'm drawn to. I wouldn't say that every character has to be smart, but she has to have one trait I can relate to.
I earned that the strong will always beat the weak, but the smart will beat the strong. Boxing is a tough guy sport. But in the end, the tough guy gets to clean the streets and be a bodyguard. In the ring, the tough guy is going to get hurt; at the end of the day, he's going to talk funny. Only the smartest win. So, I know it's cliché, but power - real power - comes from knowledge, comes from smarts.
I love a smart, well-written show, and '30 Rock,' well, you can't get any better than that. Tina Fey poos funny. There's nothing that she does that isn't funny. That show is an example of how brilliant she is. It's so smart. They've done some brilliant commentary about the 'Housewives' with 'Queen of Jordan,' their show-within-the-show.
Nowadays they have 12 directors and 15 producers and 30 writers. And all the writers want their lines said a certain way-which isn't necessarily funny. I mean the lines aren't necessarily so funny to begin with.
When Andy Kaufman performed, he was not just trying to be funny. He was playing with the notion of what it means to try to be funny, of what it means to be an audience expecting somebody to be funny. He was doing a dance and playing a game.
I think we're the only jokeless show on television. I mean really, we have no setups and no punch lines. It's not a joke show. There are funny lines and funny moments but again the comedy is born of the human experience and awkward pauses are a great part of what it is to be human.
I was funny in a way that was not dissing the teacher; I was funny just to be funny. A real charmer with a prominent mustache that he didn't know what to do with and a smart-alecky attitude.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
Playing somebody who's obsessed. Playing somebody who is transgressing, and who is really crossing moral lines and ethical lines. That's always interesting.
If you're playing things sincere in a really absurd, heightened situation, you'll achieve comedy as opposed to just saying funny lines and one-liners and stuff.
Just be funny. Funny always goes over well, so try to think of something funny to break the ice rather than being weird or using pickup lines.
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