A Quote by Jane Fallon
I suppress stress to the point where it will force its way through my skin in the form of a large angry pimple because that's the only channel it has.
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There is a vitality, a life force, a quickening that is translated through you into action, and because there is only one of you in all time, this expression is unique, and if you block it, it will never exist through any other medium, and be lost. The world will not have it. It is not your business to determine how good it is, not how it compares with other expression. It is your business to keep it yours clearly and directly, to keep the channel open.
I really believe that switching products is important, especially for skin. I'm switching from day to day. If I'm tired, if my skin is dry, if I have a pimple, if my hair has been overworked, I will do something different.
Crying, that is, sobbing is the earliest and deepest way to release tension. Infants can cry almost from the moment of birth, and do so easily following every stress that produces a state of tension in the body... Human beings are the only creatures who can react in this way to stress and tension. Most probably, they are the only ones who need this form of release.
Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.
On the whole, I now see my work as being an expression of my spiritual life and, because I look at it that way, I have a different centre. I go through the stress and pressure, but I think I'm lucky because I come from a different source point.
Search as a paradigm will continue to be probably even increasingly important because the information that's out there is only going to grow exponentially - and the only way to sort through all that is by some form of search.
I think what people like about my channel is that I am not perfect. I always point to my pimple, my bad hair day... people relate to that. They are watching somebody who is exactly like them and talking about things that they experience as well.
In the middle of a wrist's suicide slash-line, below the layered skin and above the pulse, there's an acupuncture point that says, Get back to who you were meant to be. This is the heart spot, the center. Your whole life the skin on that place will stay closest to being a baby's skin, as close as you can get anymore to the way you started, the way you once thought you'd always be.
I don't want to have to be beautiful all the time. I want to be able to look cruddy in my weekend sweats, with a pimple on my face and pimple cream on top of the pimple. The expectation to always be beautiful bothers me.
To feel the suffering and then to know the pain of the unnecessariness of it. That right there has me in its grip. The only way through that is serious prayer. I can't get through it any other way. I've got to believe that that's making a difference somehow. I can't see the difference, but I've got to believe it does, because in some way it lets me sleep at night. My only other alternative is to become angry, and I can't go that direction.
Through death you find yourself, because you no longer identify with form. You realize you are not the form with which you had identified neither the physical nor the psychological form of "me". That form goes. It dissolves and who you are beyond form emerges through the opening where that form was. One could almost say that every form of life obscures God.
The paint has a skin to it, here taut and glossy, there wrinkled, abraded, scarred. It is pierced, abraded, scraped. A line drawn through it will go through half a dozen states, from the furry bloom of crusted charcoal to a blind furrow, cutting a channel in to soft paint below.
When a writer receives praise or blame, when he arouses sympathy or is ridiculed, when he is loved or rejected, it is not on the strength of his thoughts and dreams as a whole, but only of that infinitesimal part which has been able to make its way through the narrow channel of language and the equally narrow channel of the reader's understanding.
But love is much like a dam; if you allow a tiny crack to form through which only a trickle of water can pass, that trickle will quickly bring down the whole structure and soon no one will be able to control the force of the current.
When you wake up and your heart is going like the clappers or your back feels strained, or you develop some other hang-up, you should let your mind go to the pain and the pain itself will regurgitate the memory which originally caused you to suppress it in your body. In this way the pain goes to the right channel instead of being repressed again, as it is if you take a pill or a bath, saying 'Well, I'll get over it'. Most people channel their pain into God or masturbation or some dream of making it.
Our first short was 'Angry Boy,' which was produced through the Fox Movie Channel.
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