A Quote by Jane Fallon

Painting my nails is the easiest way to look as though I've made an effort. — © Jane Fallon
Painting my nails is the easiest way to look as though I've made an effort.
Painting my nails was one of the things I liked to do, and I was so terrified of, like, ever letting anybody see my nails painted.
One learns about painting by looking at and imitating other painters. I can't stress enough how important it is, if you are interested at all in painting, to look and to look a great deal at painting. There is no other way to find out about painting.
Like for 'Black Nails,' I just had black nails - and I never have black nails. It was my first and last time getting black nails. And that's so not normal for me. So when you're recording, you're up at the mic and you gotta name the file, so I just look down and I'm like, 'Black Nails!' That's literally what it was.
In the early '60s, it was still a fairly subversive thing, though, to say that you should take a painting, cut it, set it on fire, step on it, hammer nails into it.
I love the look of buffed nails. They look neat and chic without actually having to paint your nails-and it takes no time!
I think love to another human can't be wrong in any way. And to show that by painting my nails in rainbow colours, is a simple way to hopefully spread a little joy.
While I think men in general should not fuss over how they look, I do feel as though they should make more an effort to find a way to look good in their own individual, but natural way. I think it's a shame that it's become acceptable to wear jeans and a T-shirt to any place and function.
When you have a hammer, all problems start to look like nails. But nations without great military power face the opposite danger: When you don't have a hammer, you don't want anything to look like nails.
The effort of painting from life has cost my models a great deal of physical discomfort, and cost me a great deal of money in model fees... I have wanted to make the camera obsolete... because, in my reading about early 20th century art, I found that the most frequently used argument made in favor of abstraction was that the camera made realist painting obsolete.
Personally I would like to have pupils, a studio, pass on my love to them, work with them, without teaching them anything.. ..A convent, a monastery, a phalanstery of painting where one could train together.. ..but no programme, no instruction in painting.. ..drawing is still alright, it doesn't count, but painting - the way to learn is to look at the masters, above all at nature, and to watch other people painting.
Just the way you might look at a painting and see the painting, and the painting is outside you, so this immaterial intellect would see the forms and behold them, as if they were standing before it. And Plotinus said that that can't be right because it falls prey to sceptical objections.
I needed an outlet in high school and came across painting. I've actually been painting longer than I've been acting. A movie is a collaborative effort, and with painting you just have yourself.
...if photos can reproduce the world more perfectly than any painter, can capture an instant, a look, a gesture, then what makes a painting good anymore? Painting subverts this subversion of its traditional nature by redefining itself - art is idea, not simply skillful execution. So, a work can be crudely made, or even machine made - but it has to be practically and functionally useless.
Our experience of any painting is always the latest line in a long conversation we've been having with painting. There's no way of looking at art as though you hadn't seen art before.
Literature exists inside the language. It's made of words. It's not made of ideas and it's not made of concepts, of psychological analysis. It's made of words. In the same way in which music is made of notes and a painting is made of lines of colors, the matter of literature are words.
What do you think of this" he asked, indicating the painting nearby. She gave him an odd look. "I think it's an enormous painting of a dog." He made a show of considering the picture and nodded seriously. "An astute observation.
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