A Quote by Jane Fallon
I have a strong say in how my books are marketed, and the covers - I am very firm that I don't want pink and fluffy, or stick figures sitting drinking cocktails. That's simply not appealing to me.
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A wedding isn't for the bride and groom, it's for the family and friends. The B. and G. are just props, silly stick figures with no more significance than the pink and white candy figures on the top of the cake.
People from my first home say I'm brave. They tell me I'm strong. They pat me on the back and say, 'Way to go. Good job.' But the truth is, I am not really very brave; I am not really very strong; and I am not doing anything spectacular. I am simply doing what God has called me to do as a person who follows Him. He said to feed His sheep and He said to care for 'the least of these,' so that's what I'm doing, with the help of a lot people who make it possible and in the company of those who make my life worth living
Alejandro Colucci has designed covers for my books that stand out, that catch the eye, and that make me, as a reader and consumer, want to know more about the books behind those covers.
I generally go into a movie with a very strong vision, with how I want to make the film, how I want to shoot the film, how I want to edit the movie, what I want the sound to sound like. So I have a very concrete idea even if I don't storyboard it, I know exactly what I want to do once I get into the sequence. Now having said that, I try not to let that slave me to the process. So if I do storyboard a sequence I don't necessarily stick to it if I discover more exciting things on set.
It's obvious that I must explain what I want from an actor, but I don't want to discuss everything I ask him to do, because often my requests are completely instinctive and there are things I can't explain. It's like painting: You don't know why you use pink instead of blue. You simply feel that's how it should be - pink. Then the phone rings and you answer it. When you come back, you don't want pink anymore and you use blue - without knowing why. You can't help it; that's just the way it is.
I am of the firm belief that everybody could write books and I never understand why they don't. After all, everybody speaks. Once the grammar has been learnt it is simply talking on paper and in time learning what not to say.
The business model - where books can be returned, and where a 50% sell-through is considered acceptable - is archaic and wasteful. Writers get small royalties, little say in how their books are marketed and sold, and simple things like cover and title approval are unheard of unless you're a huge bestseller.
I do love pink cocktails.
I am impressed when I go on the internet and see a lot of young people who've been influenced by the books, or I meet someone who tells me how it has changed their life. To me, that is much more real than sales figures.
Pink is like the one color I say I hate, and yet somehow I end up wearing it. Like, Michael Kors sent me a pink dress, and I'm like: 'So beautiful!' And I'm wearing it telling him 'I hate pink, why am I wearing this? It's really nice though.'
I think it is very possible he [Donald Trump] could be nominated and depending on how this all plays out, I would take him seriously in terms of being able to win because he's appealing to a very, very - he's appealing to fear.
I was the kind of reader in smudged pink harlequin glasses sitting on the cool, dusty floor of the Arrandale public library, standing at the edge of the playground, having broken a tooth in dodge ball, and lying under my covers with a flashlight.
Homework is not an option. My bed is sending out serious nap rays. I can't help myself. The fluffy pillows and warm comforter are more powerful than I am. I have no choice but to snuggle under the covers.
I joke that I stick with the job because it covers my insurance, but the reality is that my career has always been very important to me.
I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
I realized that the way I approached architecture was with a somewhat fashion brain. That didn't get me very good marks in school, because everyone thought fashion was lightweight. In architecture they say, "Well, why is the door pink? Where does it go? What does the pink mean? What does it symbolize? All the other doors are beige, why is that one pink?" I was like, "Well, it's pink because it's pretty."
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