A Quote by Jane Fonda

When you can't remember why you're hurt, that's when you're healed. When you have to work real hard to re-create the pain, and you can't quite get there, that's when you're better.
When you can't remember why you're hurt, that's when you're healed.
One of the blessings human beings take for granted is the ability to remember pain without re-feeling it. The pain of the physical wounds is long gone …and the other kind of hurt, the damage done to our spirits, has been healed. We are careful with those scarred places in each other.
Lucky accidents seldom happen to writers who don't work. You will find that you may rewrite and rewrite a poem and it never seems quite right. Then a much better poem may come rather fast and you wonder why you bothered with all that work on the earlier poem. Actually, the hard work you do on one poem is put in on all poems. The hard work on the first poem is responsible for the sudden ease of the second. If you just sit around waiting for the easy ones, nothing will come. Get to work.
I don’t want to be in pain anymore. I want to be done, to be left unburdened and naked, to tear the hurt off my body like layers of clothes. At the end of the trail I stop and bend forward, hands on my knees, to catch my breath. I’m not healed, but for this moment, I’m better.
Those are all real things that I experienced, not with [my daughters] growing up but with the, you know - I'm trying not to step into something and get a call, "Dad why'd you say that?"! But we'd go to games [where score wasn't kept], and I'd get it, but I wouldn't get it, because I think there's a real value in winners and losers, in not everybody getting a trophy - it makes you work hard, you appreciate what it takes, to say, "Why didn't we win?" You shouldn't be condemned for losing.
There's a level of discipline I use as a writer, designed to get better at what I'm doing, that requires quite a lot of study and quite a lot of hard work as well.
There's also a level of discipline I use as a writer, designed to get better at what I'm doing, that requires quite a lot of study and quite a lot of hard work as well.
When we forgive someone, we do not forget the hurtful act, as if forgetting came along with the forgiveness package, the way strings come with a violin. Begin with the basics. If you forget, you will not forgive at all. You can never forgive people for things you have forgotten about. You need to forgive precisely because you have not forgotten what someone did; your memory keeps the pain alive long after the hurt has stopped. Remembering is the storage of pain. It is why you need to be healed in the first place.
I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her...I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart.
Any struggle or pain that you experience just gets you to the top, and you can't get there without making the climb. A few years later, you won't remember exactly the way the pain felt or how long it took, you'll just remember the view from the top. In fact, you might smile at the fact you had to work to get there.
You can't have real pain without real love. You can't feel grief and loss and hurt without real love. Love is the only way you can ever be really hurt deep down.
As much as I do love real-life stories they can often make you hurt in a way I'd rather not hurt. . . . For some reason, it's always the pain that gets you.
At school, I had to work really hard to get a D in maths. And I wasn't slacking off; I actually did work quite hard.
I took a deep breath. 'For you I've got something better than love.' What's that?' I...trust you.' Why?' You'll never hurt me.' Thank you.' But...' But, what?' I said, 'That means I'll hurt you.' Why?' 'Cause, like I said, you'll never hurt me back.
You work a lot when you're hurt when you're a good stuntman, because you're going to be hurt quite a bit. And you can't let a sore leg or a bruise or something stop you, so you just take a Percodan and go to work.
Nobody's a natural. You work hard to get good and then work to get better. It's hard to stay on top.
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