A Quote by Jane Fonda
I know how gratifying it is not only to work in film but to be acknowledged by peers; producing 9 to 5 was an opportunity that I valued precisely because it’s so rarely in the hands of women.
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I know how gratifying it is not only to work in film but to be acknowledged by peers; producing '9 to 5' was an opportunity that I valued precisely because it's so rarely in the hands of women.
I did it as first lady, I did it as a senator, I did it as secretary of state, and I know how hard it is. It's not something you do once or twice and then throw your hands up because it is grinding work. But it is necessary work. So I am really welcoming of the opportunity to meet with not only people who agree with me but those who don't to see what we can do to try to bridge the differences.
I wring my hands because I know that as a dude, my privilege, my long-term deficiencies work against me in writing women, no matter how hard I try and how talented I am.
Everyone I know, men and women alike, would love to see the world changed so that boys and girls, men and women are valued equally for what we contribute, despite the differences in how our brains and bodies work.
I realised how rarely women are involved in all aspects of the music making, how rarely I've worked with female engineers. That became something that I started looking at as well. How many women can I bring into the project across the board.
The nightmare of a film career, or at least the challenge of one, is that you're rarely going to get the opportunity to explore character because once people see you in one thing, you know, they want to see that again.
Ellen [Page] and I had only met a couple of times, but had mutual admiration for each other's work. When I first heard about the film [Into the Forest], I was excited to get a chance to work with one of my peers because it's usually one or the other. You don't get to work with all of the other actors that you're usually competing with.
I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
Doormats are rarely valued. Men actually like women who are not that obsessed by the man in their life.
I love that I'm rarely recognized. I like it because I know I can look different from film to film.
You know, post-production is a bit of a grind to me. If I'm producing a film, I really... I mean I like editing, but all the other crap, the color mixing and... it's all a grind. And so as a result I cut back producing the number of films I was producing.
Black women are the most passionate commentators, and even as black female geeks and nerds, they are rarely acknowledged.
We are all fed from hundreds and thousands of hands. Often we do not know whose they are nor how they work. Only a few of us ever visualize the hands that grope in the coal mines or push levers in the mills or handle axes in the lumber camp.
Excellence is rarely found, more rarely valued.
It is an unfortunate fact that great and foolish excess can come into prices of common stocks in the aggregate. They are valued partly like bonds, based on roughly rational projections of use value in producing future cash. But they are also valued partly like Rembrandt paintings, purchased mostly because their prices have gone up, so far.
If a person feels terrible, it usually should not be shown or acknowledged during a greeting exchange. Instead, the unhappy person is expected to conceal negative feelings, putting on a polite smile to accompany the “Just fine, thank you, and how are you?” reply to the “How are you today?” The true feelings will probably go undetected, not because the smile is such a good mask but because in polite exchanges people rarely care how the other person actually feels.
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