A Quote by Jane Fonda

I would have given up acting in a minute. I didn't like how it set me apart from other people. — © Jane Fonda
I would have given up acting in a minute. I didn't like how it set me apart from other people.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists.
Actors don't hate acting. Most people don't hate acting! Whether you're a child mucking around with your friends or a grown up being paid to be on a set, pretending to be other people is fun.
I just like doing comedies, and think that my timing and love for the genre set me apart from other young women who look like me.
I've given up on trying to explain myself, or trying to set the record straight, or trying to get people to understand what I'm really like as a man, outside of my acting, outside of my job.
I would like to continue acting. I tell people I can't go back to real life. I have to see how far I can go with it. I am serious about it, and I believe that it's my calling. I think it's what my life's path is. It's what God has given me. It's what I was born to do. And so I must do it.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists. I feel that musicians do it their own way, write their own songs and put on a great live shows.
I really believe that the raw ingredient of any creative business is the set of experiences that the team has, the set of skills. I think a simple fact is that if you have a different set of experiences based on how you grew up or how other people perceive you, or if you have a different set of skills, that will produce a better company.
I just wanted to do it all. Film and television was so strange to me because I didn't grow up in the business, I didn't know anything about it, and I had never been on set before. But, from the minute I got on set and did 'Old School,' I was like, 'I want to do this!'
People would always try and set me up, which was awkward. You can't set me up on a blind date because she will automatically know more about me.
What I try to do often when I'm acting and what I like when I'm seeing good acting is how authentic it is. How true is this to what I know of the world that's been created for me? The ultimate test for me is, like, if I heard a clip of it on the radio, I'd like the audience not to know if I'm acting.
I started working on how I would direct this a year before we started shooting "All We Had" and I was prepping, acting, and directing sort of at the same time. I knew that I didn't want to hold people up on set.
All of these are names given me by other people, but not names I would have given myself. My name is not mine, it's theirs. It's a series of costumes put on my life by other people.
Memories are so two-faced. One minute they're hugging you like a long-lost friend, the next minute they're ripping you apart like your worst enemy.
To me, acting is a matter of absolute concentration. You can laugh and giggle with your friends up to the minute the director says, "Action!" Then you snap your mind into shape and into the character that you're playing and relate to the people that you're acting with and forget everybody else that you've been joking with.
I'm really interested in the minutiae of different tones and what that explains - how people's backgrounds are reflected in minute details of how they interact. It's true that I'm hypersensitive to all that. Writing is acting in the sense that you're imagining and inhabiting another. In the book I was trying to get at the root of what true acting is.
Given how shy I was as a kid, the young me would be astonished to discover that I've made a career out of acting.
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