A Quote by Jane Fonda
The '60s may be idealized in the movie from a cultural point of view, but the decade was all about discord and a big generational split that was very painful.
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I work in the '60s more than I've done anything else. I did a movie, called 'Down with Love', in the '60s. I did a movie for HBO about the Johnson administration in the '60s.
I work in the '60s more than I've done anything else. I did a movie, called Down with Love, in the '60s. I did a movie for HBO, about the Johnson administration in the '60s.
The Middle East would always be an important trading partner in just a market sense, like America is a big market for us, Asia is a big market, Europe is a big market. You are going to have hundreds of millions of consumers there, from just a standard market point of view, from a very narrow American point of view.
Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're seeing it from that point of view. A production designer is seeing it from the placement of furniture that tells you about the character. Everything that goes into the room should tell you about the person who lives in that room.
There's a thing that creeps into this conversation ... that if you complain about the depiction of women [in comics], it becomes, 'Well, but ladies - the dudes are idealized too.' And the thing is that the dudes are idealized for strength and the women are idealized for sexual availability. It's very, very different. The women's costumes are cut in such a way that I could give a cervical exam to 90% of our heroines. And I don't have a medical degree! So if I can find it, that's impressive.
My point of view when I make a book or I make a movie is to see the humanistic point of view. The point of view of the daily life of normal people.
You could say that Iron Man was a second-tier character, and it turned out very successfully. I simply think it's down to the movie itself, and whether people enjoy the movie, are involved in the movie, and that it entertains them. From that point of view, the movie has to stand alone.
I've always been a big proponent of point of view in cinema. Not necessarily that the point of view has to be subjective, but that in all great films the point of view has been taken into account and established.
Circumstantial evidence is a very tricky thing. It may seem to point very straight to one thing, but if you shift your own point of view a little, you may find it pointing in an equally uncompromising manner to something entirely different
Millennials are an easy group to identify in terms of their appearance and are therefore highly subject to being stereotyped. When a negative stereotype about a group is relevant to performance on a specific task, it is referred to as "stereotype threat." Individuals who are highly identified with a particular group may experience increased susceptibility to stereotype threat.Understanding perceptions and why they may exist helps to explain and demystify tension and conflict that surfaces as a result of generational discord.
I will continue to look for opportunities to tell stories that speak to a fresh generational, topical and multicultural point of view.
I lived in France during the '60s. I was there from the early '60s until 1970, so my view of the '60s is more global. It was a time of tremendous transition, not only for America but for the whole world.
View life as a series of movie frames, the ending and meaning may not be apparent until the very end of the movie, and yet, each of the hundreds of individual frames has meaning within the context of the whole movie.
There's a split in the US about how this [split] will be resolved. The main point to look at is the split within the Republican Party. The Republican establishment, and Wall Street, and the bankers, and the corporate executives and so on, they don't want this. They don't want it at all. It's the part of the base that is mobilized that wants it.
I clearly have a point of view; I am very passionate about my point of view. I am a commentator.
I am highly variable in my devotion. From a doctrinal point of view or a dogmatic point of view or a strictly Catholic adherent point of view, I'm first to say that I talk a good game, but I don't know how good I am about it in practice.
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