A Quote by Jane Gardam

I was nearly 40 when I started. I had no fear that I wasn't going to write. I knew it was just delayed. Then, my goodness, I never stopped. — © Jane Gardam
I was nearly 40 when I started. I had no fear that I wasn't going to write. I knew it was just delayed. Then, my goodness, I never stopped.
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
I started writing in fourth grade and never stopped. I faked my way through high school and nearly was flushed from college - I still can't pay attention - and then had a series of day jobs. But always, continuously, I have written.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
Touring was an abstract idea for me in the beginning. I didn't know where it was going to take me, but I knew that I wanted to go and play for lots of people. I always had that image in my mind. I had no idea what the touring experience was like, and how it was going to unfold, but I knew that I wanted to tour. Then it just started happening slowly started happening.
I basically had the idea when I was 18 that I wanted to write my own songs. I knew it was going to be a long, tough road, and I was like, if I just begin now, by the time I'm 40, I'll be good at it.
I was three years old when Hosni Mubarak came into power. I've lived under Hosni Mubarak nearly all my entire life. Even before he stepped down, I knew this wasn't Hosni Mubarak's Egypt anymore, and regardless of what happened, it never would be again. A fear barrier had been broken. And once that barrier was broken, it would never be built again. People knew that they had this power, that they would not be pushed around again. There was just this fearlessness and determination.
One of the hopeful things that I've discovered is that nearly every war that has started in the past 50 years has been a result of media lies. The media could've stopped it if they had searched deep enough; if they hadn't reprinted government propaganda they could've stopped it.
After my mother passed away, I felt as though I would never have a relationship as strong as the one that I had had with her. Then, after a lot of ups and downs, I started dating again - but I realised pretty quickly that I was never going to write cheesy love songs.
The first record I made when I was 17. Labels merged and plans didn't work out, but plans never work out as planned. But I never stopped making music. I never had a backup plan. I never thought, 'Maybe I should just write, or maybe I should...' I just kept going.
I wasn't encouraged to write just stand there and sing and I never thought I was a writer. I always figured if I couldn't write something as good as "He Stopped Loving Her Today," then what's the point?
When I was talking a lot of trash, a lot of the guys knew that when I started getting serious was when I started getting a little bit quieter. If I started locking up somebody, then I'd start talking even more and I'd talk more aggressive. But once I stopped, they knew I was really serious.
Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.
That was when I learned that words are no good; that words dont ever fit even what they are trying to say at. When he was born I knew that motherhood was invented by someone who had to have a word for it because the ones that had the children didn't care whether there was a word for it or not. I knew that fear was invented by someone that had never had the fear; pride, who never had the pride.
We didn't have a backyard, so as I child, I would turn the coffee table into a stage and put on shows. But it was just a fun thing to do; I never thought about it as a profession. That started as a fluke; my mother had a friend who was an artist with a theater company, and I started going there after school because my mom knew I'd be safe.
When I started to take literature and poetry classes, I just started to get inspired by these new incredible works of art that I had never seen or heard of before. I wrote a lot of bad high-school poetry, just like pretty much everyone did, I think, at some point. For me, the inspiration never really stopped.
When I turned 50, I realized I was now going to start counting backwards in terms of the years I had left. Then I turned 60, and I just stopped counting. I don't have a fear of death, but I have an awareness that there's a time limit.
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