A Quote by Jane Goldman

A lot of people use the phrase 'underage violence,' which, to me, is meaningless. — © Jane Goldman
A lot of people use the phrase 'underage violence,' which, to me, is meaningless.
I don't drink at all. I don't condone any of that. And I'm also underage so everything I do is of course under a microscope because a lot of people are onto me growing up. But I won't mess up. I have a lot of good people around me.
To get me in to the Army underage, my mother signed me in saying that my birth certificate was lost in a fire in Nashville, so I got in underage. I was 16. She did because I begged her to do it.
The way people do an impression of me is they use the phrase, 'Who are these people who do this... ?' Then they do some not-quite-good-enough observational humour, which is the most offensive thing.
I use the phrase "fellow citizen" all the time when referring to the - people always say, "The American people, the American people." I prefer the phrase fellow citizen because there's a power in that, there's a responsibility, there's a duty in using that phrase fellow citizen.
My favorite phrase, that a friend of mine who worked on the Potter films and was a lot older than me would use in front of me, and I picked up from him many great phrases - the English have a lot of great idioms for sweating. I don't know why that is. But that's what we do. I feel like it's particularly our country; probably everywhere has a lot of idioms for sweating. He always said, "I'm sweating like a glassblower's asshole," which I always found an incredibly strange and yet vivid image.
I do believe that where there is a choice between cowardice and non-violence I would advise violence. Thus when my eldest son asked me what he should have done, had he been present when I was almost fatally assaulted in 1908, whether he should have run away and seen me killed or whether he should have used his physical force which he could and wanted to use, and defended me, I told him that it was his duty to defend me even by using violence.
To use a phrase that I don't often use, the NBA is very much a woke league. It's at the forefront of a lot of things - training, fashion, food, diet.
I've always been terrified of violence which is probably why I keep making violent films - I'm trying to exorcise some demons or something. My mum ended up bringing me up on the edge of a big estate in south London, so I was on the periphery of violence - a lot of football violence and stuff because I was a Millwall supporter. So I've always had a very healthy fear of it, yet at the same time a fascination. I think in all of my films that's a really strong subtext... people who are terrified by violence but are yet compelled by it as well.
I've run into people who say, 'I know what you're like: You're a Boston guy.' That's so weird. This person who doesn't know anything about me thinks they know a lot because of the city I grew up in, which, to me, is a meaningless label. There are all kinds of people from Boston.
All of her heart, a meaningless phrase, but correct and precise, too. She used her heart to love him, not her head, and not her words and not her thoughts or ideas or feelings or any other vehicle or object or device people use to deliver love or love-like things.
I witnessed a lot of violence, and I found myself asking the question: Do you ever use violence to try to bring about political change?
Some people draw a comforting distinction between force and violence. I refuse to cloud the issue by such word-play. The power which establishes a state is violence; the power which maintains it is violence; the power which eventually overthrows it is violence. Call an elephant a rabbit only if it gives you comfort to feel that you are about to be trampled to death by a rabbit.
We are convinced that non-violence is more powerful than violence. We are convinced that non-violence supports you if you have a just and moral cause...If you use violence, you have to sell part of yourself for that violence. Then you are no longer a master of your own struggle.
'A great British icon' is not the phrase I'd use about anybody, but there are people you admire that happen to be British. I think it's a phrase that gets attached to anyone who's been around long enough to become overfamiliar.
The use of violence is justified only under a tyranny which makes reforms without violence impossible, and should have only one aim, that is, to bring about a state of affairs which makes reforms without violence possible.
[The Head of Radio Three] had been ensnared by the Music Director of the college and a Professor of Philosophy. These two were busy explaining to the harassed man that the phrase "too much Mozart" was, given any reasonable definition of those three words, an inherently self-contradictory expression, and that any sentence which contained such a phrase would be thereby rendered meaningless and could not, consequently, be advanced as part of an argument in favour of any given programme-scheduling strategy.
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