A Quote by Jane Goldman
Japanese horror films take the business of being frightening seriously. There is no attempt at postmodernism or humour. They are incredibly melancholy, with a strong emotional core, while remaining absolutely terrifying.
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But there's also a strong emotional core to counterbalance the experimentalism, with some incredibly moving passages around the narrator's relationship with her (also female) German teacher. It's beautiful.
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This film is what it is. It's a campy thriller horror movie where you go and have fun. With these types of films, you can't take it too seriously. They are what they are.
I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.
I'm an incredibly emotional person, but I always feel bad about that. The work is therapy... I need to emote wildly while I write. I weep. I'll laugh, get excited, and get up and pace. I try to take the emotional journey with the characters.
It's just occurred to me that some horror films everybody laughs because they're so ridiculous and they're so frightening in a way, the filmmakers' are trying everything, that they just end up being funny.
I think of what I do for work as playing/jamming. Music for me is so much fun so I don't take my work very seriously in terms of not being humorous, but I take it absolutely seriously in terms of taking the time to make it as rich and glorious as possible.
Horror films are the ones that pay the bills, and historically, they have shown that they are good investments. They helped Universal survive with that initial splash of horror films in the 1930s and '40s. And horror films kept New Line alive with the 'A Nightmare on Elm Street' series.
There's something very terrifying about that and very primal about it. It's my belief that what horror does for people is that it provides that primal fear that, when we were wild hunter-gatherers, we had as part of our natural lives because maybe something was trying to hunt and gather you as well. We don't have that anymore in life and that's one of the things that horror films and action films provide for us.
I think that there's absolutely no point trying to force your body to be anything than what it is. I think that when you see people who are really pushing themselves to terrifying lengths to achieve what is perceived as being beautiful today, then that's just terrifying, it's really terrifying.
I take parenting incredibly seriously. I want to be there for my kids and help them navigate the world, and develop skills, emotional intelligence, to enjoy life, and I'm lucky to be able to do that and have two healthy, normal boys.
You have to take the horror seriously but there's gags aplenty. Most people, when they do horror it's just grim.
Postmodernism is, of course, the dead end from which hauntology starts - but one of its role is to denaturalise what postmodernism has taken for granted, to conceive of postmodernism as a condition in the sense of a sickness.
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