A Quote by Jane Goldman
A friend of mine, Neil Gaiman, had the film rights to his book 'Stardust' bought by producer Matthew Vaughn and suggested I adapt it for the screen.
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My brother had a big comic book chest, and he kept the key in the exact same place. So when he would leave for camp or be gone for a few days at a friend's house, I would totally sneak into that room and open the comic book chest and see 'X-Men' and 'Sandman' and all the Neil Gaiman stuff and all the Marvel stuff and some old 'Thor' comics.
Neil Gaiman swooped into my life though another friend, Jason Webley, who knew we were fans of each other's work and introduced us via email. Neil and I, like me and Ben, just hit it off instantly.
'Coraline' is Neil Gaiman's book, it sold a lot, it has a big fan base. It was originally conceived to be live action, but I never really wanted it to be. I always thought that it would work better as an animated film.
The Secret Service I'm really excited about because Matthew Vaughn directed it. I've done a couple of movies with him - Stardust, which is one of my favorite films, and Kick-Ass, which is just a crazy, wonderful movie.
Matthew Vaughn phoned me up and he said, "Hey, listen, the movie has just done gangbusters. We've got to do the second one." And I was like, "Matthew, I have no second book. Dave and I haven't done it," and he's like, "You're kidding!" He said, "This movie's just made $420 million!" I was like, "...We've got nothing." So the amazing thing was, because we own the rights, we still get paid and everything, which is fantastic.
A publisher friend of mine suggested that I write a book about my grandfather, who had just died. I had nothing else to fill my empty days with, so I started work on this book. While researching it - watching lots of movies, talking to moviemakers - I became interested in movies and started making documentaries.
A producer friend of mine from film school had read some of my early screenplays - some experiments I had done to see how fast I could write something.
Quentin Tarantino asked me to work with him but there is no way I am going to do that while Matthew Vaughn is working in film.
From 'The Sandman' and 'Black Orchid' to 'Whatever Happened to the Caped Crusader?,' Neil Gaiman has provided some of the most memorable stories of the comic book industry.
I was really keen on making a film on Balraj Sahni. But when I approached his son Parikshat for his consent, he told me he had already given the filming rights on his father's life to another producer.
Daniel Bryan is a friend of mine. It's sort of funny that the relationship that you saw between Team Hell No on screen, it sometimes goes the same way off screen as well. He is a great human being and good friend of mine, and frankly, the Team Hell No stuff helped me.
The lovely thing is, if Marvel had a Spider-Man movie over at Sony or something, they own the rights to the character, and the editors and producers make suggestions and get notes and things. But you're talking about Matthew Vaughn and Jane Goldman. They're two of the best people in the world. The notes are just things like, "This is absolutely brilliant."
If you sell the film rights to your book, it doesn't mean there will be a film. I have sold the rights to five books and had zero films made. Take the money and be thankful.
I had never met Woody Allen before Melinda and Melinda. My agent knew the producer of the movie and he suggested that we would work well together and then we did. We had a great time on that film.
I think this book, Matthew Desmond's "Evicted: Poverty and Profit in the American City.", if you have a friend who is a public official, hand him or her this book. It's that important. And this book raises some serious questions about what kind of country do we want to be.
For a wide-ranging look at literary matters, the 'Book Review Podcast' from the 'New York Times' is still one of the best. Presented by Pamela Paul, each episode has an interview with an author - recent guests have included Neil Gaiman and Sana Krasikov - plus a roundup of the uppers, downers and hanging-arounders on the U.S. bestsellers chart.
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