A Quote by Jane Green

I read so much about men who aren't what they seem, and particularly stories written by women who found out their husbands had a slew of secrets they knew nothing about. — © Jane Green
I read so much about men who aren't what they seem, and particularly stories written by women who found out their husbands had a slew of secrets they knew nothing about.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
I was very dedicated and serious about fighting. I'd read about all the fighters. I found out where they came from, knew about their mothers and their fathers . . . I just read all about their lives, their training.
I know absolutely nothing about where I'm going. I'm fine with that. I'm happy about it. Before, I had nothing. I had no life, no friends, and no family really, and I didn't really care. I had nothing, and nothing to lose, and then I knew loss. What I cared about was gone; it was all lost. Now I have everything to gain; everything is a clean slate. It's all blank pages waiting to be written on. It's all about going forward. It's all about uncertainty and possibilities.
Who reads short stories? one is asked, and I like to think that they are read by men and women in the dentist's office, waiting to be called to the chair; they are read on transcontinental plane trips instead of watching banal and vulgar films spin out the time between our coasts; they are read by discerning and well-informed men and women who seem to feel that narrative fiction can contribute to our understanding of one another and the sometimes bewildering world around us.
Long before I became a feminist in any explicit way, I had turned from writing love stories about women in which women were losers, and adventure stories about men in which the men were winners, to writing adventure stories about a woman in which the woman won. It was one of the hardest things I ever did in my life.
I wager we have a vast amount of literature out there that tends to the stories of men, so I've never really worried too much about attending to stories of women.
I liked myths. They weren't adult stories and they weren't children stories. They were better than that. They just were. Adult stories never made sense, and they were slow to start. They made me feel like there were secrets, Masonic, mythic secrets, to adulthood. Why didn't adults want to read about Narnia, about secret islands and smugglers and dangerous fairies?
Turkey is a complex country. Most readers are women, of all generations, and they are passionate about books. However, the written culture is mostly patriarchal. In general, men write; women read. I would like to see this pattern changing. More women should write novels, poems, plays, and hopefully, more men will read fiction.
I like women who haven’t lived with too many men. I don’t expect virginity but I simply prefer women who haven’t been rubbed raw by experience. There is a quality about women who choose men sparingly; it appears in their walk in their eyes in their laughter and in their gentle hearts. Women who have had too many men seem to choose the next one out of revenge rather than with feeling. When you play the field selfishly everything works against you: one can’t insist on love or demand affection. You’re finally left with whatever you have been willing to give which often is: nothing.
By God, if women had written stories, As clerks had within here oratories, They would have written of men more wickedness Than all the mark of Adam may redress.
The stories are being written by men, and it's men who are directing it. As long as that continues, you won't be seeing much change in the way women are portrayed in cinema.
All of Hollywood is run on one assumption: That women will watch stories about men, but men won't watch stories about women. It is a horrible indictment of our society of we assume that one half of our population is just not interested in the other half.
The canon is dominated by books written by men, about men, and for men - the male voice is therefore not a particularly difficult one to impersonate.
In writing ... remember that the biggest stories are not written about wars, or about politics, or even murders. The biggest stories are written about the things which draw human beings closer together.
I was already doing a lot of splendid research reading all the books about ghosts I could get hold of, and particularly true ghost stories - so much so that it became necessary for me to read a chapter of _Little Women_ every night before I turned out the light - and at the same time I was collecting pictures of houses, particularly odd houses, to see what I could find to make into a suitable haunted house.
Andrée De Jongh story led me to other stories of women who joined the Resistance in France. I found literally dozens of memoirs written by women who had become spies and couriers and helped to create the escape network. These women were like action-star heroes.
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