A Quote by Jane Green

My training as a journalist was invaluable: when I worked on 'The Daily Express,' the editor would often ask for 1000 words within a couple of hours. I could not say I was not inspired. I had to get on with it.
I had a few months of physical prep where I was training six hours a day - I was doing an hour and a bit of yoga, I would do a couple hours of cardio and weight-lifting, and then I would do an hour or maybe two of martial arts training.
The training of a journalist, of working with words for thousands of hours, is extraordinarily useful for a fiction writer.
I worked as an assistant editor, actually, for a few years. That was right when I was just starting to get out at night and do a lot of stand-up, improv, and sketch work in New York. It really is invaluable. I think it pounded into me an awareness of what an editor wants and needs, in terms of clarity of a moment, where and when to start and stop a line.
Put yourself into every situation in training and against every style of bowling, and do that for hours and hours and hours. Then when you get to a match, it's almost instinctive the way you play because you've done it so often in training.
A picture can say 1000 words but it can also inspire you to write 1000 more.
I wish I could take language And fold it like cool, moist rags. I would lay words on your forehead. I would wrap words on your wrists. 'There, there,' my words would say - Or something better. I would ask them to murmur, 'Hush' and 'Shh, shhh, it's all right.' I would ask them to hold you all night. I wish I could take language And daub and soothe and cool Where fever blisters and burns, Where fever turns yourself against you. I wish I could take language And heal the words that were the wounds You have no names for.
Things happened there that I don't think are the finest hours for anybody, whether it was a journalist, the legal system or, in that case of the political system, who would say that was an example of when Washington worked best.
When I confess a couple who have kids, a married couple, I ask, 'how many children do you have?' Some get worried and think the priest will ask why I don't have more. I would make a second question, 'Do you play with your children?' The majority say, 'but father, I have no time. I work all day.'
I would say that music is the easiest means in which to express, but since words are my talent, I must try to express clumsily in words what the pure music would have done better.
If I blew my nose the Daily Express and the Daily Mail would say that I am trying to spread germ warfare.
At the beginning, ballet accounted for at least two hours out of six hours of my daily training session. Later I devoted less time to ballet, but every workout of mine included training in choreography.
I was a very bad journalist. Awful. I would just invent everything. If I did an interview, I had a preconception of what that person should say and I would put my words in his mouth.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
I would say as a journalist, I would envision travelling to other countries that have had to reckon with their past and see how they've done it: what worked, what didn't work, finding characters that would tell the story of how that process was done.
It struck me at some point that the things I wanted to say had to be wordless. I had to renounce words in order to go deep into the practice of making materials and textures that would express what I'm trying to say more accurately.
As you know, I get a lot of abuse on Twitter. And while I'm abroad on training camp, I train three times a day, often for two hours a time, and I haven't got time to respond to all the people that ask questions.
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