A Quote by Jane Green

I have a gorgeous office at home but tend not to write there because there are so many distractions. — © Jane Green
I have a gorgeous office at home but tend not to write there because there are so many distractions.
Many people keep photos in their homes, in their office, or in their wallet, and happy families tend to display large numbers of photos at home. In 'Happier at Home,' I write about my 'shrine to my family' made of photographs.
My house has too many distractions. There's the email. There's checking my Amazon ranking. I know I'm the only author who's ever done that, ever. There's the fax. Too many distractions. I like to go out and write.
I have so many books to write now. So I'll write from home. Sometimes I'm writing in the office too, in my cubicle. It looks like a mess. It doesn't look like anybody uses the spot.
I think just getting up and getting to the desk is a big thing. If you can do that, you're in the zone because there're so many distractions that can stop you. From my bedroom to my office isn't really that far, but I have to go via the kitchen and there's so many things that can stop me and interrupt me.
I've done lots of songs for film soundtracks and things like that-stuff I'm not ashamed of, but that doesn't represent my legacy with the Pretenders...I think domesticity certainly doesn't make it easy to write, you know, because you've got a lot of distractions and I think a writer is always looking for distractions.
I've found, as I've gotten older, it's really difficult to write on the road. There are so many distractions, so many people in and out of the bus. It's really difficult to do. So I just keep a notebook with me, and I jot down ideas. I schedule appointments to write.
As a writer, you play this daft game with yourself - you're constantly looking for distractions, anything to stop you from writing, but you're constantly fighting the distractions to write as well.
I would rather be funny than gorgeous, absolutely. Because it's too hard to be gorgeous, you know. I could make a stab at gorgeous as long as I had something funny to say to get out of it.
L.A. is a great place to write because you have a lot of space. I have a big office at home, I can leave the doors open. Flowers bloom all year. But it's unglamorous in all the right ways.
Shortly after the appointment of Britain's first-ever female police constable with officials powers of arrest, the Home Office declared that women could not be sworn in as police officers because they were not deemed 'proper persons'. It makes you wonder what those Home Office officials would say now to having a female Home Secretary.
My office is tiny. I think most people would be shocked if they came to my home and saw it. It is, in fact, the former makeup room of a gorgeous local TV newscaster. I keep a neat desk. Clutter makes me anxious.
I think we work well when there are absolutely no distractions whatsoever, because we tend to come up with the best ideas around one or two in the morning, so you have to be plugging away.
I write in a small office at home.
For some reason, the busier I am at the track, the better I tend to race. I think it's because I don't have to deal with all the distractions outside the car that can get me in trouble at times.
I tend to write in coffee shops and restaurants with friends of mine because if I'm at home, I get distracted by the television or the cats or my husband, or... you know - all of those things that make it easy to procrastinate.
That was actually Lloyd Phillips who was a Kiwi film producer in L.A. And it was about Gorgeous George, not Haystacks Calhoun. I was in a couple of Lloyd's films and got approached to write the story. People don't realize it, but Gorgeous George had this flamboyant, camp stage persona that had a tremendous influence on other celebrities, like Elton John, Liberace, Elvis Presley, and Mohammed Ali, who all wanted to establish their own outlandish stage personas. The project died because Gorgeous George's wife refused to give up the rights.
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