A Quote by Jane Green
For me, 'Bookends' marks the start of my foray into commercial fiction, away from what has always been thought of as more traditional chick lit - single girl in the city trips around in Manolos looking for Mr. Right.
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I don't think anyone sits down and thinks, 'I know, I'll be a chick-lit writer.' You write the book that you want to write and then other people say, 'Oh, that's chick-lit.' You say, 'Okay.' But it's not like you look around and go to a careers fair and there will be someone at the chick-lit author stand.
That whole idea of chick lit being a thing that you just lump all the commercial female writers into - it went on for years.I'd switch on the radio, and I'd hear, 'Two female authors are here to discuss chick lit - is it dead?' and I'd think, 'Argh, no, not again. Are we seriously still having this conversation?'
The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
For Coca-Cola, they wanted a hippie-looking girl to walk around the city with a bucket of chicken sitting in Central Park, sitting on Central Park South, walking along all these different areas of New York that people are familiar with, and just eating this bucket of chicken. I got that commercial too. I think it was just part of my personality that was different from just a regular, nice-looking girl that was more of a model-y type. I injected a little more energy into everything I did.
It's like if a young woman writes it, then it's chick lit. We don't care if she's slaying vampires or working as a nanny or living in Philadelphia. It's chick lit, so who cares? You know what we call what men write? Books.
I teach a lot of graduate creative writing classes, and on the first day, I like to go around the room and ask everybody what's the last book you've read that you really loved. And all of the women tend to give me chick lit titles. And to me, that's sort of disappointing because it's their only exposure to fiction somehow.
I went to school in drag, in art school and my day was completely different because everybody thought I was a chick. You should see me as a chick. So I went as a girl, as like an experiment and it worked really well and everyone was really nice to me but I couldn't talk obviously... you know train conductors were really cool to me on my commute... HA! I looked hot as a chick!
If chick-lit really is taking a commercial battering, I'd suggest it's because the marketing has been done to death. Covering everything in girlie pink and putting chocolate in the title may once have been a clever Pavlovian device but now makes readers feel a bit sick.
If you see a biker chick hanging out with a group of bikers and associated with them, stay away. You'll know right away if a biker chick is free; if she's with someone, she's right by his side. Getting with somebody's old lady is a big no-no. That's more serious than anything in that world.
Chick-lit may be staggering on its heels, but women's fiction is alive and kicking.
My feeling about my own work is, I could be writing 'The Aeneid' and they would still have to call it chick lit or mommy lit or menopausal old hag lit.
I've always read broadly: literary fiction, sci-fi, fantasy, chick lit, historical, dystopian, nonfiction, memoir. I've even read Westerns. I prefer female protagonists.
I think that one of the things that has changed the perception is that there are so many more single people. In New York City, it's 47 percent. When you have that many people who are single, they have a bigger voice and they're more willing to speak and say, 'We're not miserable, we're not sitting at home waiting for Mr. or Ms. Right, we're having a good time.' And I think single people have better friendships.
MR.GOUDY: I believe you testified that you backed away from Aaron Wharton. MR.COGBURN: That is right. MR.GOUDY: You were backing away? MR.COGBURN: Yes sir. He had that ax raised. MR.GOUDY: Which direction were you going? MR.COGBURN: I always go backwards when I am backing up.
I think when it comes to women who write or who fancy ourselves 'hip downtown literati', there is a certain contempt for being overly sexual or really looking for boyfriends. We tend to be marginalized as some 'Sex & The City' Carrie Bradshaw chick-lit dummies who just want shoes and a ring.
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