A Quote by Jane Green

I was twenty-seven when I came up with the idea for my first novel. — © Jane Green
I was twenty-seven when I came up with the idea for my first novel.

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In 2011, I did an internship in Seven Dials, a junction in London where seven roads come together. I'd given up on writing after multiple rejections for my first novel, and I was starting to consider a career in publishing instead, but Seven Dials gave me such a strong idea for a setting that I couldn't resist picking up my pen again.
'The Fourth Hand' was a novel that came from twenty years of screenwriting concurrently with whatever novel I'm writing.
For twenty years I read a book a day, from the time I was seven until I was twenty-seven.
The idea to make hotel reviews the form of the novel came first. So I just started writing hotel reviews and tried to come up with a consistent voice.
Eternal is the fact that the human creature born in Ireland and brought up in its air is Irish. I have lived for twenty years in Ireland and for seventy-two in England; but the twenty came first and in Britain I am still a foreigner and shall die one.
The disappointing second novel is measured against the brilliant first novel - often no novel lives up to the first. Literary improvement seems like an unfair expectation.
You know what I did after I wrote my first novel? I shut up and wrote twenty-three more.
Initially I only decided to try and write a novel because I wasn't getting enough screenwriting work. It wasn't a long-held ambition, and certainly the idea came first.
My dad was in the Korean War. He got shot seven times. He had seven bullet holes in him. And out of his troop of 35 guys, he was one of nine guys that came back. And when he came back from that he had seven kids in seven years.
I have never started a novel - I mean except the first, when I was starting a novel just to start a novel - I've never written one without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing.
My first play was 'The Room', written when I was twenty-seven.
It's also hard for me to understand growing up not knowing where I came from. I searched for my parents - I started when I was twenty; I found both my mother and my father when I was twenty-two. Trying to catch up on twenty-two years that we can never get back, trying to reconcile that - that's a hard thing for me.
One easy mistake to make with the first novel is to expand the short story. Some things are better as a story; you cannot dilute things into a novel. I think the first hundred pages of a novel are very important. That's where you set things up: the world, the characters. Once you've set that up, it'll be much easier.
Before I came to Silicon Valley I was in Beijing, China and I was twenty-seven. When I saw the Internet, I immediately realized that it was going to change everything.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
She’s the kind of person who either dies tragically at twenty-seven, like Jimi Hendrix and Janis Joplin, or else grows up to win, like, the first-ever Nobel Prize for Awesome.
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