A Quote by Jane Greer
I love making movies, but I was ready to rationalize being only a mother if my career never got back on track.
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We intellectualize it, and we rationalize it, but it's really about a love of movies, and I think whether you're making an art film or you're making a genre film, if you don't really love that movie you are trying to make, you'll be able to tell.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
I was never interested in being powerful or famous. But once I got to film school and learned about movies, I just fell in love with it. I didn't care what kind of movies I made.
I never thought I was going to make a movie about men. I've always thought we don't have enough movies about women, and if I spent my whole life making movies only about women, there still wouldn't be enough movies about women, so that's a wonderful thing to dedicate my career to.
I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.
Being a full-time mother is one of the biggest jobs in the world; it's like another career for me. I love every moment of it - even the challenge of making cupcakes.
Whatever career you're in, assume it's going to be a massive failure. That way, you're not making decisions based on success, money and career. You're only making it based on doing what you love.
I'd love to work with Paul Thomas Anderson or Quentin Tarantino, but these are dreams I don't need to rush to achieve. I'll be ready to make those movies when I'm ready to make those movies and they're ready to make them with me, if they ever want to.
I would love to go into musicals. I got a chance to sing in 'Big Momma's House,' and that's something I would love to do more. But only in Broadway or in the movies. I don't think I would ever seek a career as a singer.
I did a track with Khao, out of Atlanta, who's worked with T.I. Did a track with Maylay, who did a lot with John Legend's album. I got in the studio with Kanye West; we did a song. The dedication for the career takes a lot of work, but if you love it, it's worth it.
It's like my career is divided in phases. There comes a phase when I only do Tollywood movies, back to back, and then there is a phase when I do only Hindi films.
Film is a wonderful thing and it can be so many different things. I don't want to turn my back on any of the different ways movies can be. I love the movies. I love going to the films. I like very serious films, I love foreign films, and I love big, fun movies - as long as they're well made and they've got good scripts. That's the most important thing.
The only time it got really crazy was during 'Batman.' Anywhere I went in the world, people knew who I was. I was being offered these huge films that would have taken my career to a different level, and I decided to put on the brakes. I knew if I continued on that track, I probably wouldn't have gotten married.
I never let track define me. That's something that's really important to me. That's what I do and it's what I love, but I think by having other things I'm passionate about and interested in, it helped me to come back. It helped me to have renewed love for the sport by being able to step away and then come back.
As the mother's womb holds us for ten months, making us ready, not for the womb itself, but for life, just so, through our lives, we are making ourselves ready for another birth...Therefore look forward without fear to that appointed hour- the last hour of the body, but not of the soul...That day, which you fear as being the end of all things, is the birthday of your eternity.
I've got a body of work now, I've been doing movies for 32 years, and you never know which movie it is that somebody might reference to you, so you've got to be ready for everything.
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