A Quote by Jane Haddam
You've either got to find a way to make your continuing characters interesting without making them maudlin or overwrought, or you've got to put more emphasis on the suspects.
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You've either got to find a way to make your continuing characters insteresting without making them maudlin or overwrought, or you've got to put more emphasis on the suspects.
To my way of thinking, whether it's a superhero movie or a romance or a comedy or whatever, the most important thing is you've got to care about the characters. You've got to understand the characters and you've got to be interested. If the characters are interesting, you're half-way home.
You're always getting a perfect vibrational match to what you predominantly give your attention to. But you've got to make the best of it. You've got to vibrate slightly different from where you are if you are going to improve where you are. You can't keep taking score of where your business is or your relationship is or your body is without continuing to create it as it is. To make improvement, you've got to reach for a different thought.
I'm just an entertainer. In a way crime stories are boring. A crime's been committed and at the end you know it will be solved. So you've got to make the story interesting besides it just being a plot. And that's why character matters, why you've got to make the characters interesting.
As a rugby player I got into the habit of tackling without thinking. But in MMA you've got to land the right way. You can't flop. You've got to bounce back to your feet. You've got to use your sprawl.
You've got to be in a place where you can put your guard down. I've got a long list of things I consider to be selling out. But amongst that list, one of them is when you make art without putting your guard down.
Being movie director you've got the art department, you've got the actors, you've got the camera department, you've got make-up and hair, and props. You've got your finger in all these pies, and you're making sure that everything cooks at the right temperature.
I don't mind playing older characters. I find it interesting. There are parts I couldn't have got when I was 30 years old. So, it continues to interest me in the same way that it always did.
You've got to try to find ways to dominate in any way - it ain't about getting sacks, it's about making the big plays. If that's pressing the quarterback, making them throw a pick - whatever you've got to do to try to dominate the game.
. . . I felt that making her one-dimensional would be an insult to the audience, and also not as interesting. All destructive people have an inner side to them, and the more three-dimentional your characters are on screen the more compassion you can open up in an audience . . .. To me, that involves the audience more, it stimulates them and asks more of them.
We've got to keep fighting. Got to keep agitating. Got to keep making sure that we put pressure on the people who make the laws, and the decisions, in this country.
I find flawed characters much more interesting than perfect ones and enjoy the challenge of making readers root for them in spite of their unsympathetic path and destructive choices.
My parents always got a kick out of my art. I was always able to make them laugh. As I got older, I remember the thrill I got when I graduated from making my classmates laugh to making adults laugh. Kind of a watershed moment.
I'd write of people and places like I knew, and I'd make my characters talk everyday English; and I'd let the sun rise and set in the usual quiet way without much fuss over the fact. If I had to have villains at all, I'd give them a chance, Anne--I'd give them a chance. There are some terrible bad men the world, I suppose, but you'd have to go a long piece to find them...But most of us have got a little decency somewhere in us. Keep on writing, Anne.
The easier you make it look, the more difficult it is. Creating characters out of nothing, and making them interesting - and that's another advice I would give to writers.
To me, being popular means I've got more friends. You've got to watch who your friends are, if you want to get close to them, but I've got a lot of acquaintances. And then, you've got to be real careful who your friends are, because you never know why they're your friend.
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