A Quote by Jane Hamilton

I don't think that talking to anybody can help you - a writer or a nonwriter. So what do I do in Wisconsin? I don't know. I just slug through it. — © Jane Hamilton
I don't think that talking to anybody can help you - a writer or a nonwriter. So what do I do in Wisconsin? I don't know. I just slug through it.
Don't ever judge anybody. You don't know who anybody is, period... You gotta humble yourself. Just because you are where you are, it doesn't mean you aren't talking to someone great.
When I'm not working I'm a slug - a full slug. I am not good at the in-between. I'm either fever-pitched or want to just pass out on a beach with a really sleazy book and eat a cheeseburger.
Same-sex marriage is so ingrained in the culture now that when you're talking about regular, good old-fashioned marriage, you have to say "opposite-sex marriage" to let people know what you're talking about. Just describing, just talking about "marriage" doesn't let anybody know what you mean anymore. You have to specify opposite-sex marriage.
I know when I go and see a writer, the first thing I think to myself is, 'Are they the character in the book?' You just can't help it; it's the way people are.
Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.
Aly and I went through just a long period of time where we just didn't feel creative musically. And, you know, we went through the whole writer's block thing, and we went through having two pretty successful records and figuring out how we want to transition as adults.
I would also argue that there is a good chance that an outline will help you stave off any onslaught of writer's block. Let me advise you right up front that I am not a big believer in writer's block. I think writer's block is God's way of telling you one of two things - that you failed to think your material through sufficiently before you started writing, or that you need a day or two off with your family and friends.
My life is fair game for anybody. I spent an unhappy, penniless childhood in Brooklyn. I had to slug my way up in a town called Hollywood where people love to trample you to death. I don't relax because I don't know how. I don't want to know how. Life is too short to relax.
I think that you know you have experts in fields who spend their life studying one thing. When an event goes on that chances are they're going to want that specific expert who has done it to be on the show talking about it, not a writer or an artist of any sort, which I think is a mistake because you know we don't have... I mean we have them, but there is certainly not you know in strong force public philosophers anymore.
I don't believe in writer's block. I don't know what that is. There are just certain little areas that I know I'm going to get through. It's just a matter of finding a way.
I have a great deal of hope. I think that change is here, it's happening. But I know that if we think it's just going to happen on its own, that's not the way it works. We need people to keep talking about women of color writing comics and living the charge. Not just talking but doing. Making art, putting it out there.
I'm not only a writer, but have directed and produced, know the difficulties of the line producer, can deal with the studio, can talk with the director and get his or her vision and help exact that. I think it just gives you more tools.
One thing I think you have to do here at Wisconsin is maximize your personnel. From the standpoint of getting our best players out there, you've really got to make sure you're not burying anybody at a position.
The writer who is literally an addict, the writer who can't help himself, the writer who HAS to write, can never be anything but an amateur, because the industry requires the professional to put writing on hold not just for a day or two, or a week, but for years.
I view myself as a fiction writer who just happens to write nonfiction. I think I look at the world through a fiction-writer's eyes.
Basically, "Making a Murderer" chronicles a set of crimes committed in Wisconsin: Manitowoc, Wisconsin. The first crime is a miscarriage of justice. Steven Avery is convicted and sentenced to a very, very long prison sentence for the assault on a woman. And it comes to light through DNA evidence that he was not the assailant.
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