A Quote by Jane Hamilton
I don't mean it to sound egomaniacal, but in a way, for me, it was very useful to imagine that I was the only one who was taking pen in hand. I'd always been told that it was impossible to be published, so I was writing only for myself.
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Save the Children is often told that its aims are impossible - that there has always been child suffering and there always will be. We know. It's impossible only if we make it so. It's impossible only if we refuse to attempt it.
If I haven't anything to write, I am just as anxious to 'take my pen in hand' as though I had a message to deliver, a cause to plead, or a problem to unfold. Nothing but writing rests me; only then do I seem completely myself!
Just keep writing, and try to finish that novel. Remember, all authors started exactly where you are right now; the only difference between a published author and a non-published one is that the published author never stopped writing.
All the world's a stage. P.T. Barnum: It becomes a circus. But circuses or street pageants or parades have always been useful in a society.They've always been useful as a way of critiquing power. The carnivalesque has always been useful as a way of the powerful being mocked in a public space.
First, consider the pen you write with. It should be a fast-writing pen because your thoughts are always much faster than your hand. You don't want to slow up your hand even more with a slow pen. A ballpoint, a pencil, a felt tip, for sure, are slow. Go to a stationery store and see what feels good to you. Try out different kinds. Don't get too fancy and expensive. I mostly use a cheap Sheaffer fountain pen, about $1.95.... You want to be able to feel the connection and texture of the pen on paper.
It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.
For me, I've always told myself, 'I can only do me in the ring.' When I go out there and perform, I can only do what Sasha Banks can do.
When I submitted samples, I had only written stories to give myself something to draw. I was told, "The art is good, but not quite professional yet. But, I like the writing." I've been a writer for almost a half a century. It's very cool.
I'm inspired by the music, always have been, always will be, it's only what a track or instrumental interpretation from a producer can do that will excite my pen into making magic for someone else to enjoy..Only the music inspires me.
My father, Benjamin Shiller, told me not to believe in authorities or celebrities - that society tends to imagine them as superhuman. It's good advice. People are snowed by celebrities all the time. In academia people have this idea of achieving stardom - publishing in the best journals, being at the best university, writing on the hot topic everyone else is writing about. But that's what my father told me not to do. He taught me that you have to pursue things that sound right to you.
There are people who'll dismiss me as 'just' a singer. That's how it is, how it's always been, but just because I'm not hunched over a piece of paper with a pen in my hand doesn't mean I'm not putting in the graft.
Generally, if you look at present-day trends, you can predict the future. Very few people do that, because I've been told that only 3 to 5 percent of people are aware of being a part of history; the overwhelming majority think things will always be the way they are now. When Stalin was alive, most people could not imagine that he would ever die. Same under Brezhnev.
I was very naive, and I thought it was just a matter of writing my first book and sending it in, and for the rest of my life I would be writing books and collecting royalties. Nobody told me how hard it was going to be to get published.
"Hello" is pseudoscience. The only smart way to read it is not to believe in it, not to trust it, or to put yourself in it and imagine what's out there that you haven't been told or seen.
This is going to sound nuts but it took me forever to figure out why I'd stopped writing poetry - I mean, I went about a decade where I wrote very little poetry and I thought it was because I was doing a weekly blog. And then when we moved, I reconfigured my writing desk. The previous one had had very little space to write by hand. And suddenly, the poetry was gushing!
I was never really satisfied with writing only text or with the way my texts looked when they were published. Most online journals have a pretty lame sense of typography - bad font, counter-intuitive margins and line spacing - that it makes me sour on my writing.
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