A Quote by Jane Hirshfield

A poem makes clear without making simple. Poetry's language carries what lives outside language. It's as if you were given a 5-gallon bucket with 10 gallons of water in it. Mysterious thirsts are answered. That alchemical bucket carries secrets also, even the ones we keep from ourselves.
Everyone carries a bucket of water and a bucket of gas in life. A leader has learned to throw the right one at the right time.
Happiness and unhappiness differ as a bucket hammered from gold differs from one pressed in tin ... Each carries the same water.
Since the boundary of the world of poetry is fluid, the language in it is also fluid. Hence, the language that is outside of the poetry world, namely the language that is not the language of poetry, cannot go into the poetry world.
When you are relaxed about where you are at in life, things tend to flow more fluidly. It is as if you poke three holes in a bucket of water. The same amount of water is going to flow out the holes whether you let it flow or you shake the bucket. The difference is the amount of turmoil on the inside of the bucket!
Poetry is not the language we live in. It's not the language of our day-to-day errand-running and obligation-fulfilling, not the language with which we are asked to justify ourselves to the outside world. It certainly isn't the language to which commercial value has been assigned.
I should think that many of our poets, the honest ones, will confess to having no manifesto. It is a painful confession but the art of poetry carries its own powers without having to break them down into critical listings. I do not mean that poetry should be raffish and irresponsible clown tossing off words into the void. But the very feeling of a good poem carries its own reason for being... Art is its own excuse, and it’s either Art or it’s something else. It’s either a poem or a piece of cheese.
Bucket filling is in the eye of the bucket holder, not the bucket filler. Fill their buckets with things that are important to them ... not you.
The old oaken bucket, the iron-bound bucket, The moss-covered bucket, which hung in the well.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
She alone dares and wishes to know from within, where she, the outcast, has never ceased to hear the resonance of fore language. She lets the other language speak - the language of 1,000 tongues which knows neither enclosure nor death. To life she refuses nothing. Her language does not contain, it carries; it does not hold back; it makes possible.
Love is like water from the ocean." Damiana said. "You cannot empty it dry. Take bucket after bucket of water out of the Cormeon Sea, and there is still more water left than you could ever use up. That's what love's like.
I love poetry. It's at the heart of everything I do. Poetry transforms what we call language, and uses language as the stuff to become something else. I get spun around by what happens in words. When that occurs, it inspires images that seem so original to me as an artist, even though I'm following what the poem has offered.
We get wise by asking questions, and even if these are not answered we get wise, for a well-packed question carries its answer on its back as a snail carries its shell.
We get wise by asking questions, and even if these are not answered, we get wise, for a well-packed question carries its answer on its back as a snail carries its shell.
Good poetry and successful revolution change our lives. And you cannot compose a good poem or wage a revolution without changing consciousness unless you attack the language that you share with your enemies and invent a language that you share with your allies.
Poetry connects us to what is deepest in ourselves. It gives us access to our own feelings, which are often shadowy, and engages us in the art of making meaning. It widens the space of our inner lives. It is a magical, mysterious, inexplicable (though not incomprehensible) event in language.
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