A Quote by Jane Hirshfield
I want to preserve a certain unknowing about my own poems - perhaps because unknowing is in itself a useful poetic thirst. To move the perimeter of saying outside my own boundaries is one reason I write.
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Though it may be called a nescience, and unknowing, yet there is in it more than all knowing and understanding without it; for this unknowing lures and attracts you from all understood things, and from yourself as well.
I have a certain temperament, a disposition that I think lends itself to not playing outside the lines that much. But I do test the boundaries, certainly, and break one or two of my own. Some people are mystified by it, but not me.
Perhaps - and this goes for the Kyoto School too - one of these insights is that nothingness and unknowing don't have to be equated with a destructive nihilism but with the experience of unity and participation - whilst resisting the tendency of objectifying metaphysics to claim that we can in some way 'know' that this experienced unity is really the truth of how things are, i.e., reveals being itself.
He trudged along unknowing what he sought, And whistled as he went, for want of thought.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
Every book presents its own specific challenges, or should, and you're right that this one has a preoccupation with uncertainty. In this, Valiant Gentlemen is a rupture from previous work as its obsession is with the psychology of characters who are in states of unknowing living in unpredictable times where the stakes are unusually high.
It's true, there aren't many explicit references to Canada in my book. And not many explicit references to the U.S., either. I try to fill my poems with enough real, observed detail that the poems create a believable world - but I don't write poems for the sake of telling my own story. My life is not important or interesting enough to warrant that kind of documentary. Instead I try to use my experience as a way of understanding situations that are common to many people. I want readers to project their own lives onto my poems.
The reason I'm here today, the reason I own a brand new Harley-Davidson motorcycle and the reason I have a big log cabin and I got cars and all kinds of stuff is because I'm a writer and writers own everything. So you learn how to write.
I want to write poems which are very emotional, but I would have some hesitation in saying I want to write poems which are sentimental.
Love is alone sufficient by itself, it pleases by itself and for it's own sake. It is itself a merit, and itself it's own recompense. It seeks neither cause, nor consequences beyond itself. It is its own fruit, its own object and usefulness. I love because I love you, I love that I may love.
. . . you did not seem to me over-fond of money. And this is the way in general with those who have not made it themselves, while those who have are twice as fond of it as anyone else. For just as poets are fond of their own poems, and fathers of their own children, so money-makers become devoted to money, not only because, like other people, they find it useful, but because it's their own creation.
What I’ve learned most clearly from blogs is that the majority of them write about the problems from the outside for a reason—because they are missing the abilities that allow people to move to the inside.
The Senate is an unknowing world
The Senate is an unknowing world.
Did the gods once mingle with humankind, or is Homer a visionary madman, or, what is worse, a mere poet, a maker-up of beautiful falsities, an elegant liar? I shall grapple with that perplexity, only to emerge as I went in, in a cloud of unknowing, if perhaps a little the wiser.
We are conjured voiceless out of nothing and must return to an unknowing state. What happens in between is an uncontrolled dance, and what we ask for in love is no more than a momentary chance to get the steps right, to move in harmony until the music stops.
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