A Quote by Jane Hirshfield
The first poem in The Beauty holds a woman in Portugal in a wheelchair singing, with great power, a fado. I have never seen this or heard of it, the image simply arrived. But surely such a thing has happened. And it matters to me that it has, or could.
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I have seen romanticism outlast the realistic. I have seen men forget the beautiful women they have possessed, forget the prostitutes, and remember the first woman they idolized, the woman they could never have. The woman who aroused them romantically holds them.
[The publication of his first poem] was wonderful ... but it taught me early on that the only thing that really matters is writing the next poem. Publication is best seen as a happy accident.
Martin's Monsanto poem holds devastating power. I heard the first public reading at the Resurgence Festival of well-being in London. It brought truth with clarity, not least with a kind of conviction and passion that is all too rare
And ain't I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain't I a woman? I could work as much and eat as much as a man - when I could get it - and bear the lash as well! And ain't I a woman? I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mother's grief, none but Jesus heard me! And ain't I a woman?
I don't know if we tell women great news about themselves enough. You'd be surprised how often a young woman doesn't hear positive things about herself - not in her home, not at school. It's hard to create a beautiful image for yourself when you've never seen it or heard it.
You could say I don't want for me be seen primarily as a gay writer. I've never hidden my sexuality. It matters that I'm gay, it matters that I'm white, it matters that I'm male, it matters that I'm American. But basically it's just less and less of a big deal.
I believe that all great art holds the power to dissolve things: time, distance, difference, injustice, alienation, despair. I believe that all great art holds the power to mend things: join, comfort, inspire hope in fellowship, reconcile us to our selves. Art is good for my soul precisely because it reminds me that we have souls in the first place.
There is nothing unnatural in this world," he said. "An unnatural thing is a thing that could never happen in nature. I happened. I am natural, and the things I want are natural. The power of your mind, and your beauty, even when you've been drugged in the bottom of a boat for two weeks, covered in grime and your face purple and green - your unnatural beauty is natural. Nature is horrifying.
In all my career, in my ups and downs, I've never had a beauty campaign. This was meaningful that at almost 41 years old, I could be getting my first beauty campaign. It made me feel really great.
I had no desire to become a singer until I heard Billie Holiday. The first time I heard her on a record, it was a revelation. She sounded like a woman singing about herself.
In my dream I hadn't arrived at this street yet; this was just downloaded to me as this woman mentioned only the street name. It reminded me of hearing the words "Disneyland" and how we are instantly filled with joy and recognize it as a happy place full of fun. The words "Media Spring Street" created a movement of its own. When people just simply heard "Media Spring Street" it was like catching a wave of God and you wanted to get there as fast as you could!
Men must always have distinguished (e.g. in judicial matters) between hearsay and seeing with one's own eyes and have preferred what one has seen to what he has merely heard from others. But the use of this distinction was originally limited to particular or subordinate matters. As regards the most weighty matters the first things and the right way the only source of knowledge was hearsay.
I first fell in love with music when I was a little boy. When I first heard music, I felt the beauty in it. Then, being able to tap along on a table top and box was great, but my favorite thing to do was to watch records spin. I would almost get hypnotized by it. These things are what drew me in initially.
The church and the whorehouse arrived in the Far West simultaneously. And each would have been horrified to think it was a different facet of the same thing. But surely they were both intended to accomplish the same thing: the singing, the devotion, the poetry of the churches took a man out of his bleakness for a time, and so did the brothels.
What is beautiful enchants me. I mean not just physical beauty but a wider concept of beauty. There is beauty in poetry and in great musical or singing performances. There is beauty everywhere if you can just see it.
I don't know what started me, I just wrote poetry from the time was quite small. I guess I liked nursery rhymes and I guess I thought I could do the same thing. I wrote my first poem, my first published poem, when I was eight-and-a-half years old. It came out in The Boston Traveller and from then on, I suppose, I've been a bit of a professional.
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